The Russian Academy Of Arts

The Ministry of Culture of RF, the Russian Academy of Arts (RAA), Research Institute of Theory and History of Fine Arts of the RAA, Department of Art History and Art Criticism of the RAA invite you to attend the International Research Conference “From the History of Art Collecting: Patrons of Arts, Collectors, Museum Founders”, that will take place in the White Hall of the Russian Academy of Arts on April 7-8, 2021 at 11.00am in the full-time format, as well as on April 9, 2021 in the remote format.

 

The Conference Organizing Committee:

Chairman - Zurab Tsereteli, President of the Russian Academy of Arts

Co-Chairman – Dmitry Shvidkovsky, Doctor of Art History, Vice-President of the Russian Academy of Arts

 

Members of the Organizing Committee:

-Elena Romanova, Academician of the RAA, Advisor to the Department of Art History and Art Criticism of the RAA;

-Natalia Tolstaya, – Corresponding Member of the RAA, Director of the Research Institute of Theory and History of Fine Arts of the RAA;

-Krasimira Lukicheva, PhD in Art History, Honorary Member of the RAA, Deputy Director for Research Work of the Research Institute of Theory and History of Fine Arts of the RAA;

-Elena Fedotova, Doctor of Art History, Corresponding Member of the RAA, Head of the Department of Foreign Art of the Research Institute of Theory and History of Fine Arts

-Ekaterina Tarakanova, Researcher of the Research Institute of Theory and History of Fine Arts of the RAA

 

THE CONFERENCE PROGRAM

 

APRIL 07, 2021

11.00am – Welcoming addresses:

Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow

 

Zurab Tsereteli - President of the RAA

Dmitry Shvidkovsky – Vice-President of the RAA

Natalia Tolstaya – Director of the Research Institute of Theory and History of Fine Arts of the RAA

 

 

11.30- Morning Session

Elena Fedotova, Research Institute of Theory and History of Fine Arts of the RAA (Moscow)

ON THE GREAT BUSINESS OF ART COLLECTING

 

Marina Neglinskaya, Institute of Eastern Studies of the Russian Academy of Sciences (Moscow)

THE WATCH COLLECTION OF QIANLONG (1736-1795) – THE FIRST COLLECTION OF EUROPEAN ARTWORKS IN CHINA

 

Olga Etinhof, Research Institute of Theory and History of Fine Arts of the RAA/Russian State University for the Humanities (Moscow)

ONCE AGAIN ABOUT THE COLLECTION OF BYZANTINE ICONS IN THE MUSEUM OF THE KIEV THEOLOGICAL SEMINARY

 

Ekaterina Tarakanova, Research Institute of Theory and History of Fine Arts of the RAA (Moscow)

SIXTUS IV AS A CUSTOMER OF THE SISTINE CHAPELS

 

Nadezhda Sim, “World of Art” School of Painting (Moscow)

THE GRAND CARDINAL GONZALES DE MENDOZA (1428-1495) – THE FIRST PATRON OF THE SPANISH RENAISSANCE

 

Sergey Belousov, independent researcher (Moscow)

RAPHAEL’S INVISIBLE PATRON AND PHILOSTRATUS’ UNKNOWN PATRON: THEIR CONTRIBUTION TO THE WORLD ART TRADITION

 

Elena Agratina, Moscow State Academy of Choreography (Moscow)

BERGERET DE GRANCOURT (1715-1871) – PATRON OF JEAN- HONORE FRAGONARD: HISTORY OF MUTUAL RELATIONS

 

Elena Fedotova, Research Institute of Theory and History of Fine Arts (Moscow)

“CAMPI PHLEGRAEI” SERIES OF WATERCOLORS OF THE ENGLISH PHILANTHROPIST AND ITALINAN DRAFTSMAN OF THE ENLIGHTENMENT

 

 

15.00 – Afternoon Session

 

Svetlana Kozlova, Research Institute of Theory and History of Fine Arts of the RAA (Moscow)

HERBERT HORNE – SCIENTIST, ART COLLECTOR AND MUSEUM FOUNDER

 

Elena Igumnova, Research Institute of Theory and History of Fine Arts (Moscow)

ROGER FRY AND JOHN P. MORGAN: FROM THE HISTORY OF EUROPEAN PAINTING IN THE METROPOLITAN MUSEUM COLLECTION

 

Anastasia Koroleva, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (Moscow)

GUSTAV HARTLAUB AND NEW MATERIALITY: EXHIBITION, COLLECTING, FATE

 

Ksenia Orlova, the State Institute of Art History (Moscow)

TWO FOUNDATIONS OF JOAN MIRO

 

Olga Yartseva, Research Institute of Theory and History of Fine Arts of the RAA (Moscow)

COLLECTION OF PEGGY GUGGENHEIM

 

Evgenia Orlova, Research Institute of Theory and History of Fine Arts of the RAA (Moscow)

FROM THE HISTORY OF LUDWIG MUSEUM IN COLOGNE: FROM THE COLLECTION TO THE MUSEUM

 

Margarita Kornilina, the State Tretyakov Gallery/ Museum of Pavel and Sergey Tretyakov (Moscow)

PAVEL TRETYAKOV’S ACTIVITY IN THE ANTIQUE ART MARKET

 

Violetta Mikitina, “Kuskovo” Museum-Estate (Moscow)

NICKOLAI A. NOSOV – THE FIRST PROLETARIAT MUSEUM – CERAMICS MUSEUM. THE HISTORY OF ONE COLLECTION

 

Elena Dolgikh, Russian State University for the Humanities; Ekaterina Lisitsyna, A. Pushkin State Museum of Fine Arts (Moscow)

UNIQUENESS OF GLASS COLLECTION OF FYODOR AND EKATERINA LEMKUL

 

 

 

APRIL 08, 2021

 

11.00am – Morning Session

Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow

 

Lyubov Savinskaya, A.Pushkin State Museum of Fine Arts (Moscow)

THE CATALOGUE OF THE PAINTING COLLECTION OF VICE-CHANCELLOR ALEXANDER M. GOLITSYN (1723-1807): DOCUMENT OF THE EPOCH, SOURCE OF RECONSTRUCTION

 

Irina Basova, the State Tretyakov Gallery (Moscow)

THE PAINTING COLLECTION OF THE GRAND DUKE ALEXEY ALEXANDROVICH IN ALEXEYEVSKY PALACE AND THE UNKNOWN PICTURE OF ADOLPH JEBENS IN THIS COLLECTION

 

Elena Bakaldina, The Roerich Family St. Petersburg State Museum-Institute (St. Petersburg)

THE COLLECTION OF MICKHAIL P. BOTKIN: SOURCES AND HISTORIOGRAPHY

 

Natalia Alexandrova, A. Pushkin State Museum of Fine Arts (Moscow)

THE COLLECTION OF DOCUMENTS OF IVAN A. MOROZOV IN THE DEPARTMENT OF MANUSCRIPTS OF A. PUSHKIN MUSEUM

 

Alexey Petukhov, A. Pushkin State Museum of Fine Arts (Moscow)

“THE THIRD GENERATION” OF NEW ART COLLECTORS BEFORE AND AFTER WORLD WAR 1

 

Anastasia Starovoitova, Higher School of Public Sciences (Paris)

JACOB ZUBALOV – RUSSIAN DONATOR TO THE LOUVRE AND PETIT PALAIS MUSEUM IN PARIS

 

Elena Sokolova, A. Pushkin State Museum of Fine Arts (Moscow)

THE LIBRARY OF SERGEY P. VINOGRADOV IN A. PUSHKIN STATE MUSEUM OF FINE ARTS; EXPERIENCE IN RECONSTRUCTION

 

Olga Polyakova, A. Pushkin State Museum of Fine Arts (Moscow)

PAVEL I. KHARITONENKO – PHILANTHROPIST, ART COLLECTOR: FATES OF PAINTINGS

 

15.00 – Afternoon Session

 

Olga Muromtseva, S. Stroganov Moscow State Academy of Arts and Industries (Moscow)

THE HISTORY OF ART COLLECTION OF NADEZHDA E. DOBYCHINA IN THE POST-REVOLUTION YEARS: THE COMPOSITION AND PROBLEMS OF EXISTENCE

 

 

Ksenia Rashkovskaya, Museum of V. Tropinin and Moscow Artists of his Time (Moscow)

THE COLLECTING ACTIVITY OF FELIX E. VISHNEVSKY AS A PROBLEM OF STUDY (ABOUT THE POSSIILITY OF THE COLLECTION RECONSTRUCTION)

 

Anastasia Sirenko, ROSIZO State Museum and Exhibition Center (Moscow)

THE FATE OF THE COLLECTION OF THE DOCTOR OF MEDICINE IVAN M. SARKIZOV-SARAZINI

 

Maria Bodrova, the State Tretyakov Gallery (Moscow)

EVGENY M. NUTOVICH – COLLECTOR BORN BY “THE THAW PERIOD”

 

Ekaterina Prigodich, A. Stieglitz St. Petersburg State Academy of Arts and Industries (St. Petersburg)

BUSINESS AND ART: THE IMAGE OF A MODERN ART COLLECTOR (ON THE EXAMPLE OF NATALIA OPALEVA - THE FOUNDER OF ANATOLY ZVEREV MUSEUM IN MOSCOW)

 

Sergey Bogatyrev, Museum of Russian Icon (Moscow)

THE PHILANTHROPIST MICKHAIL ABRAMOV AND THE MUSEUM OF RUSSIAN ICON IN MOSCOW

 

Ekaterina Skorobogacheva, I. Glazunov Russian State Academy of Painting, Sculpture and Architecture (Moscow)

ILYA GLAZUNOV – PHILANTHROPIST, COLLECTOR, FOUNDER OF THE MUSEUM OF THE RUSSIAN ACADEMY OF PAINTING, SCULPTURE AND ARCHITECTURE

 

 

APRIL 09, 2021

Remote format

 

11.00 - Morning Session

 

Vadim Prygov, S. Ordzhonikidze Moscow State Geological Exploration    University (Moscow)

THE FIRST AND ONLY IN RUSSIA BORIS OSHKUKOV PRIVATE MUSEUM OF FLORENTINE MOSAIC (ST. PETERSBURG)

 

Marina Gavrilova, the State Hermitage (St. Petersburg)

FROM THE HISTORY OF THE TURKISH COLLECTION

 

 

 

Tatyana Starodub, Research Institute of Theory and History of Fine Arts of the RAA (Moscow)

THE NATIONAL MUSEUM OF DAMASK. THE HISTORY OF COLLECTIONS. 1919-2019

 

Zhaukhar Appaeva, Kabardino-Balkar Department of the Association of Art Historians (Nalchik)

DALKHAT TAUMURZAEV STONE GARDEN

 

Mickhail Busev, the State Institute of Art History (Moscow)

PABLO PICASSO: ARTIST AS ART COLLECTOR

 

Nina Getashvili, I. Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow)

PRIVATE COLLECTIONS AS A BASIS FOR PICASSO'S PUBLIC MUSEUMS: PROBLEMS OF SELECTION AND PRESENTATION

 

15.00 - Afternoon Session

 

Liudmila Timofeeva, Institute of International Relations of the Kazan Federal University (Kazan)

AT THE ORIGINS OF KAZAN MUSEUMS: ANDREY F. LIKHACHEV - COLLECTOR AND SCIENTIST

 

Elena Zubriy, V. Sukachev Irkutsk Regional Art Museum (Irkutsk)

VLADIMIR P. SUKACHEV: COLLECTOR AND PHILANTHROPIST OF RUSSIAN PROVINCE

 

Alina Mamaeva, Orthodox St. Tikhon University for the Humanities (Moscow)

SPIRITUAL AND RELIGIOUS ASPECTS OF THE PHENOMENON OF MOSCOW PHILANTHROPISTS OF THE SECOND PART OF THE 19TH CENTURY - EARLY 20TH CENTURY

 

Dmitry Fomin, Research Institute of Theory and History of Fine Arts of the RAA/ Russian State Library (Moscow)

PROBLEMS OF COLLECTING GRAPHIC WORKS IN THE CORRESPONDENCE OF RUSSIAN ART HISTORIANS AND ARTISTS IN THE 1920-1930s

 

Olga Kober, Orenburg State University (Orenburg)

PATRONAGE AND ART COLLECTING IN PROVINCE: ON THE EXAMPLE OF M. KONNOV ART GALLERY IN ORENBURG

 

Maria Vazhkaya, A. Pushkin State Museum of Fine Arts of the RAA (Moscow)

REFLECTION OF THE PERSONALITIES OF THE OLD-BELIEVER M.I. CHUVANOV AND ARTIST T.A. MAVRINA IN THEIR ICON COLLECTION

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