The Russian Academy Of Arts

The Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts invites you to attend the research conference “The Contemporary Religious Art. Problems and Main Trends”, that will take place in the White Hall of the Russian Academy of Arts (21 Prechistenka street, Moscow) on May 18, 2023.

 

The Conference deals with main trends of the development of the late 20th – early 21^st century religious art and urgent problems in recent practices of masters taking into account the customer’s requirements, as well as focuses on the lesser studied aspects of creativity of the leading modern icon-painters, sculptors and architects.

 

THE CONFERENCE PROGRAM

 

MAY 18, 2023

Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow

 

11.00am-11.20am – The Opening of the Conference

Greeting addresses:

Victor G. Kalinin, Academician of the Russian Academy of Arts, the First Vice-President of the Russian Academy of Arts

Tatyana A. Kochemasova, Academician of the Russian Academy of Arts, the Vice-President of the Russian Academy of Arts

Sergey S. Stupin, Academician of the Russian Academy of Arts, Acting Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

Archpriest Leonid Kalinin, Honorary Member of the Russian Academy of Arts. Chairman of the Expert Council for the Religious Art, Architecture and Restoration

 

11.20 – 14.20 – Morning Session         

Moderator: Andrey L. Batalov, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, The Moscow Kremlin Museums

 

Inessa N. Slyunkova, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow   

THE NEW CHURCH OF THE SAVIOUR NOT MADE BY HANDS IN USOVO AND THE APPEAL TO THE TRADITION OF THE EARLY CHRISTIAN ART

Natalia V. Bartels, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow

THE EXPERIENCE IN THE RECREATION OF THE INTERIOR DECORATION OF THE KAZAN CATHEDRAL OF THE KAZAN THEOTOKOS MONASTERY (KAZAN, 2019-2021): PAINTINGS, ICONOGRAPHIC SOURCES, STYLISTIC GUIDELINES

 

Anna A. Kalina, the State Museum of Fine Arts of the Republic of Tatarstan, Kazan

THE PAINTING AND GRAPHICS OF VASILY S. TURIN AS AN ICONOGRAPHIC SOURCE FOR RECREATION OF THE INTERIOR OF THE UPPER CHURCH OF THE CATHEDRAL OF THE KAZAN ICON OF THE MOTHER OF GOD

 

Andrey V. Gamlitsky, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow

THE SCIENTIFIC RECONSTRUCTION OR CREATIVE INTERPRETATION.

ON THE ISSUE OF RECREATION OF THE LOST MONUMENTS OF THE RELIGIOUS ART: THE INTERIOR DECORATION OF THE CAVE TEMPLE AND ICONS OF THE KAZAN CATHEDRAL OF THE KAZAN THEOTOKOS MONASTERY (1798-2021)

 

Valery V. Igoshev, the State Research Institute of Restoration, Andrey Rublev Central Museum of Old Russian Culture and Art, Moscow

The Archpriest Georgy Kreidun, The Altai State University, Barnaul

TRADITIONS OF OLD RUSSIAN ART IN THE DESIGN OF CONTEMPORARY ARTWORKS PRODUCED BY MEDIEVEL TECHNIQUES ON THE EXAMPLE OF ST. JOHN THE THEOLOGIAN TEMPLE COMPLEX IN BARNAUL

 

Dmitry A. Ostroumov, “Prokhram” Studio, Moscow

THE EXPERIENCE OF THE “PROKHRAM” STUDIO. ON THE EXAMPLE OF THE TEMPLE COMPLEX OF ST. OLGA EQUAL TO THE APOSTLE IN MINSK

 

Tatyana E. Samoilova, the Research Institute of Theory and History of Fine Arts of the Russian |Academy of Arts, the State Tretyakov Gallery, Moscow

THE SKY AND EARTH IN THE CREATIVE WORK OF THE SCULPTOR ALEXANDER SMIRNOV

 

14.20-15.00 – Coffee break      

15.00 – 18.30 – Afternoon Session

Moderator: Andrey V. Gamlitsky, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts     

Alexander F. Shklyaruk, Honorary Member of the Russian Academy of Arts, Creative Artists’ Union of Russia, Moscow

THE CONTEMPORARY RELIGIOUS ART IN THE INTERNATIONAL ARTISTIC PROJECT “THE WAY OF THE CROSS” OF THE CREATIVE ARTISTS’ UNION OF RUSSIA

 

Natalia M. Shabalina, the South Urals State Humanitarian and Pedagogical University, Chelyabinsk

MODERN TRENDS IN THE DEVELOPMENT OF THE CHRISTIAN WOODEN SCULPTURE. THE LOCAL ASPECT OF THE CARVED PLASTIC OF ALEXANDER ZHIZHILEV      

 

Victoria A. Bolotova, art historian, Moscow

IMAGES OF SAINTS IN CONTEMPORARY MONUMENTAL SCULPTURE ON THE EXAMPLE OF THE WORK BY THE SCULPTOR SERGEY SEREZHIN

 

Galina A. Nazarova, Andrey Rublev Central Museum of Old Russian Culture and Art, Moscow

THE INTERPRETATION OF ANDREY RUBLEV’S LIFE ON THE ICON OF THE 1960S BY THE ARTIST-RESTORER V.O. KIRIKOV

 

Tatyana S. Ponomareva, artist-icon painter, Moscow

THE SOVEREIGN ICON OF THE MOTHER OF GOD AND THE EXPERIENCE IN THE DEVELOPMENT OF THE ICONOGRAPHY OF THE IMAGE OF THE TSAR-MARTYR NICHOLAS II

 

Ksenia A. Farafonova, Andrey Rublev Central Museum of Old Russian Culture and Art, Moscow  

THE DEVELOPMENT OF THE ICONOGRAPHY OF THE BLESSED PRINCE DMITRY DONSKOY AFTER HIS CANONIZATION IN 1988

 

Maria Y. Sivkova, S. Stroganov Russian State University of Arts and Industry, Moscow

THE FLORENTINE MOSAICS IN THE INTERIOR DECORATION OF MODERN RUSSIAN ORTHODOX CHURCHES. ON THE EXAMPLE OF THE CATHEDRAL OF THE GREAT MARTYR CATHERINE IN ROSTOV-ON-THE-DON AND THE CHURCH OF THE HOLY TRINITY IN THE CITY OF MIRNY

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