THE PROBLEMS OF PRINTED GRAPHICS: RESEARCH AND PRACTICAL CONFERENCE AT THE RUSSIAN ACADEMY OF ARTS
The Graphic Art Department, the Department of Art History and Art Criticism, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts invite you to attend the Research and Practical Conference “The Problems of Printed Graphics”, that will take place in the White Hall of the Russian Academy of Arts (21 Prechistenka street, Moscow) on April 26-27, 2023 at 11.00am.
VIDEO BROADCAST OF THE CONFERENCE IN RUSSIAN
THE CONFERENCE PROGRAM
April 26, 2023
Venue: the White Hall of the Russian Academy of Arts (RAA), 21Prechistenka street, Moscow
11.00am – The opening of the Conference
Opening addresses:
Victor G. Kalinin, the First Vice-President of the Russian Academy of Arts
Alexander I. Teslik, Academician-Secretary of the Graphic Art Department of the RAA
Anatoly A. Lyubavin, Vice-President of the Russian Academy of Arts
Alexander I. Rozhin, Academician of the Russian Academy of Arts
11.30am – Morning Session
Moderator: Alexandra N. Sinitsina, Academician of the Russian academy of Arts
Andrey A. Khorshak, Corresponding Member of the Russian Academy of Arts, Honored Artist of Russia, Member of the Artists’ Union of Russia, Head of the Creative Workshop of Graphics of the RAA in St. Petersburg (St. Petersburg)
PETROGRAD IN THE PRINTED GRAPHICS OF THE FIRST HALF OF THE 1920s. THE ALBUMS OF ANNA OSTROUMOVA-LEBEDEVA, MSTISLAV DOBUZHINSKY, PAVEL SHILLINGOVSKY
Vladimir V. Zuev, Corresponding Member of the Russian Academy of Arts, Honored Artist of Russia, Professor (Nizhni Tagil)
FROM THE CONCEPT TO IMPLEMENTATION. THE EXPERIENCE IN CREATING A SERIES OF ENGRAVINGS ON METAL FOR THE BOOK “INVISIBLE CITIES” BY ITALO KALVINO
Alexander E. Vetrov, Honorary Member of the Russian Academy of Arts, Honored Artist of Russia, Head of the Graphic Art Section of the Moscow Union of Artists
THE SPECIFIC FEATURES OF PAINTINGS OF THE 1970-1990s IN THE ETCHINGS OF THE MOSCOW ARTIST, PRINTER (THE ART WORKS COMPLEX IN KHIMKI) ILYA S. SHEINGARDT (born 1938)
Mikhail Y. Konovalov, Honorary Member of the Russian Academy of Arts, Head of the Management Board of the “Moscow Print” Section of the Moscow Union of Artists
Olga P. Bogomolova, Associate Professor of the Chair for “Drawing and Painting” of V. Favorsky Institute of Graphics and Book Art of the Moscow Polytechnic University, Member of the Management Board of the “Moscow Print” Section of the Moscow Union of Artists
THE ASSOCIATION “MOSCOW PRINT”. 1992-2022. THE TRENDS IN THE DEVELOPMENT OF PRINTING TECHNIQUES ON THE EXAMPLE OF THE CREATIVE WORK BY ARTISTS-PRINT MAKERS. PROBLEMS IN THE WORK WITH MATERIAL AND THEIR RESOLUTION. THE REVIEW OF ANNUAL EXHIBITIONS OF THE “MOSCOW PRINT”
Sergey I. Orlov, PhD in Art History, Senior Researcher of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
DMITRY PLAVINSKY. THE STRUCTURAL SYMBOLISM
Mikhail M. Verkholantsev, Academician of the Russian Academy of Arts, Honored Artist of Russia
THE XYLOGRAPHY OF ALEXANDER DURANDIN
Iren A. Girshman-Kistovich, artist, art historian, Member of the Artists’ Union of Russia, Member of the Artists’ Union of Turkmenistan
LINOCUT OF THE 1950s-1960s IN THE WORK BY STANISLAV BIBIKOV. THE TRANSFORMATION OF THE MOTIF
Natalia V. Bartels, Senior Researcher of the Artists’ Vocabulary Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
THE RUSSIAN ENGRAVED ICON OF THE MOTHER OF GOD “THE UNFADING COLOR” IN TABOR. ON THE ISSUE OF THE TRADITION OF VENERATION OF PRINTED ICONS
14.00 – 14.30 – Coffee break
14.30-18.00 – Afternoon session
Vladimir A. Kizilov, Corresponding Member of the Russian Academy of Arts, Honored Artist of Russia
THE MODULAR ETCHING
Natalia E. Grigorieva, Corresponding Member of the Russian Academy of Arts, Consultant to the Graphic Art Department of the Russian Academy of Arts
THE LINOCUT IN THE WORK OF THE CHUVASH ARTIST I.T. GRIGORIEV (1906-1984)
Ivan E. Lukyanov, Member of the Moscow Union of Artists, The Chief Artist of the Publishing Department of the Charitable Foundation “Tobolsk Revival”
AN ENGRAVING IN A PRINTING PUBLICATION ON THE EXAMPLE OF THE CATALOGUE OF M.M. VERKHOLANTSEV. THE GOLDEN COLLECTION OF ENGRAVINGS. A CATALOGUE AS A WORK OF PRINTED ART, A LIVE GRAPHICS MUSEUM OF AN ARTIST
Mark V. Ber, the 6th year student of V. Surikov Moscow Art Institute under the RAA
NEW PRINCIPLES OF WORK IN THE TECHNIQUE OF SERIGRAPHY BASED ON THE HISTORICAL AND TECHNICAL DEVELOPMENT
Evgeny M. Kambulatov, graphic artist
THE ESTABLISHMENT AND DEVELOPMENT OF THE ETCHING STUDIO “FERRUM PRINT LAB”
Milalika S. Avdeenko, the 4th year student of the Institute of Slavic Culture of A. Kosygin Russian University for the Humanities
THE POETICS OF A FEMALE IMAGE: FROM THE JAPANESE XYLOGRAPHY TO THE EUROPEAN LITOGRAPHY OF MODERN ART
Nikolai A. Bagrovnikov, Doctor of Philosophy. Associate Professor of the Department of Philosophy and Theory of Social Communication of N. Dobrolyubov Nizhni Novgorod State University of Linguistics
ON SOME INTERACTIONS BETWEEN XILOGRAPHY AND SCULPTURE IN THE FORMAT OF THE DUNAI SCHOOL
April 27, 2023
11.00am - Master class of the Academician of the Russian Academy of Arts Mikhail Verholantsev in his studio at 10 Barykovsky Pereulok, Moscow
print version