The Russian Academy Of Arts

The  Department of Art History and Art Criticism of the Russian Academy of Arts (RAA) invites you to attend the International Research Conference – XXXII ALPATOV READINGS on the theme “Monumental Art and Architecture. Problems of the Synthesis of Arts in History and in the 21^st Century”, that will take place in the White Hall of the Russian Academy of Arts (21 Prechistenka street, Moscow) on November 25-26, 2021. The Conference will also be live broadcast on the YouTube-channel of the Russian Academy of Arts.

The Conference is aimed at the research of the complex and multi-sided process of the synthesis of arts by the example of monumental art and architecture. The objective assessment of such a synthesis can be given only as a result of studying this phenomenon in the art of the past and present. The Conference will be accompanied by publication of its proceedings.   

The Conference Organizing Committee:

Chairman:

Zurab K. Tsereteli, President of the Russian Academy of Arts;

Co-Chairman:

Dmitry O. Shvidkovsky, Vice-President of the Russian Academy of Arts;

Members of the Organizing Committee:  

Yulia E. Revzina, Head of the Department of Monumental Art and Art Problems of Architecture of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Academician of the RAA, Professor of the Moscow Institute of Architecture;

Elena O. Romanova – Advisor to the Department of Art History and Art Criticism of the RAA, Academician of the RAA

THE CONFERENCE PROGRAM

NOVEMBER 25, 2021

Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow

10.30am -14.00 - Morning Session

Moderator: Dmitry O. Shvidkovsky, Vice-President of the Russian Academy of Arts

Greeting addresses:

Victor G. Kalinin, the First Vice-President of the Russian Academy of Arts, Honored Artist of Russia

Andrey A. Zolotov, Vice-President of the Russian Academy of Arts

Tatyana A. Kochemasova, Vice-President of the Russian Academy of Arts, PhD in Art History

Dmitry O. Shvidkovsky, Vice-President of the RAA, Doctor of Art History, Professor, President of the Russian Academy of Architecture and Construction Sciences, Rector of the Moscow Institute of Architecture (Moscow)

INTRODUCTION. THE INTERACTION OF ARTS. TODAY’S EXPERIENCE OF THE RUSSIAN ACADEMY OF ARTS

Vitaly V. Kochergin, PhD in Architecture, Architect, Professor of the Moscow Institute of Architecture, Advisor to the Russian Academy of Architecture and Construction Sciences (Moscow)

MONUMENTAL ARCHITECTURE OF THE NEOLITHIС  

Marianna Y. Shevchenko, PhD in Architecture, Professor of the Moscow Institute of Architecture, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the RAA, Leading Researcher of the Research Institute  of Theory and History of Architecture and Urban Planning (Moscow)

THE IMAGIES OF HEAVENLY PALACES IN THE PAINTINGS OF MOGAO CAVES IN DUNHUANG OF THE TANG DYNASTY

Nadezhda M. Sim, PhD in Art History, Director of the Painting School “The World of Art”  (Moscow)

Galina N. Stogova, Senior teacher of M. Lomonosov  Moscow State University (Moscow)

MUDEJAR: THE DIALOGUE OF CULTURES OF THE ORIENT AND WEST IN THE SPANISH ARCHITECTURE OF THE 16^TH CENTURY AND THE EXAMPLE OF THE SYNTHESIS OF ARTS IN THE MEDIEVAL PERIOD

Marina G. Piven, PhD in Art History, Associate Professor of the Russian State University for the Humanities, Senior Researcher of the Research Institute of Theory and History of Fine Arts of the RAA  

MONUMENTALIZATION OF AN OBJECT: PAINTINGS OF THE  RENAISSANCE FURNITURE 

Dmitry O. Shvidkovsky, Doctor of Art History, Professor, Vice-President of the Russian Academy of Arts, President of the Russian Academy of Architecture and Construction Sciences, Rector of the Moscow Institute of Architecture (Moscow)

THE MONUMENTAL LANGUAGE OF THE GREAT FRENCH REVOLUTION

Anna L. Pavlova, PhD in Art History, Head of the Department of Artists’ Dictionary of the Research Institute of Theory and History of Fine Arts of the RAA, Senior Researcher of the State Institute for Art Studies  (Moscow)

THE SYNTHESIS OF THE RELIGIOUS WALL PAINTING AND ARCHITECTURE IN CLASSICISM AND ECLECTICISM

Alexey M. Kapustin, Director of the Center for Religious and Traditional Architecture of the Moscow Institute of Architecture (Moscow) 

HISTORICAL STYLES IN THE MODERN RELIGIOUS ENSEMBLE

14.00 – Break

14.30 – Afternoon Session  

Moderator: Tatyana L. Astrakhantseva, Doctor of Art History

Lada S. Balashova, PhD in Art History, invited lecturer, University of Essex (Essex, Great Britain)

ABOUT THE SPIRITUAL IN THE SYNTHESIS OF ARTS: THE NEW VISION OF THE RELIGIOUS MONUMNENTAL ART

Natalia V. Bartels, Senior Researcher of the Department of Artists’ Dictionary of the Research Institute of Theory and History of Fine Arts of the RAA (Moscow)

MONOCHROME RELIGIOUS PAINTINGS OF RUSSIAN CLASSICISM: THE UNIQUE EXPERIENCE IN THE CHURCH SPACE DESIGN

Ekaterina A. Skorobogacheva, Doctor of Art History, Professor of the Chair for General Art History of Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture, Director of the Academy’s Museum (Moscow)

MONUMENTAL RELIGIOUS PAINTING OF ALEXEY ZHIVAEV. ON THE PROBLEM OF THE SYNTHESIS OF ARTS AT THE EARLY 21^ST CENTURY

Vera I.  Ivanovskaya. PhD in Art History, Professor of the Chair for Religious Art of the Moscow Institute of Architecture (Moscow)

MONUMENTAL ART IN MODERN CHURCH DESIGN

Evgenia V. Orlova, PhD in Art History, Senior Researcher of the Research Institute of Theory and History of Fine Arts of the RAA (Moscow)

THE VISUAL TEXT IN THE BERLIN ARCHITECTURE AS AN ART OBJECT. THE LATE 20^TH – EARLY 21^ST CENTURIES

Rauza R. Sultanova, Doctor of Art History, Head of the Department of Fine Arts and Decorative and Applied Arts of G. Ibragimov Institute of Language, Literature and Art of the Academy of Sciences of the Republic of Tatarstan, Honored Art Worker of the Republic of Tatarstan (Kazan)

MEMORIAL PLAQUES IN KAZAN: PROBLEMS AND DEVELOPMENT PROSPECTS

Dina D. Khisamova, PhD in Art History, Deputy Director of the State Museum of Fine Arts of the Republic of Tatarstan (Kazan)

THE PAVILION OF THE TATAR SOVIET SOCIALIST REPUBLIC DESIGNED BY THE ARCHITECT ISMAGHIL GAINUTDINOV AT THE ALL-RUSSIAN  AGRICULTURAL EXHIBITION IN 1939 AS AN EXAMPLE OF THE SYNTHESIS OF ARTS IN THE NATIONAL ARCHITECTURE 

Tatyana L. Astrakhantseva, Doctor of Art History, Chief Researcher of the Research Institute of Theory and History of Fine Arts of the RAA, Head of the Educational Section of the Research Institute of Theory and History of Fine Arts of the RAA, Corresponding Member of the Russian Academy of Arts (Moscow)

THE UNIQUE SCULPTURAL AND CERAMIC PANEL “THE LIBERATION OF SHLISSELBURGERS” BY ISIDOR FRIEKH KHAR IN THE NEW SYNTHESIS OF ARTS AND ARCHITECTURE OF THE 1930s. ON THE HISTORY OF RECREATION

Liana G. Akhinova, art historian, Senior Manager of the Exhibition Projects Department of the Zariadie Park (Moscow) 

ARTISTIC PECULIARITIES OF ARCHITECTURAL AND SCULPTURAL ENSEMBLES IN ARMENIA BY THE EXAMPLE OF THE CREATIVE WORK BY THE SCULPTOR-MONUMENTALIST ARA ARUTYUNYAN  (1928-1999)

Anna V. Stepanova, post-graduate, Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture  (Moscow)

THE PROBLEM OF CONTINUATY OF RUSSIAN MONUMENTAL PAINTING:  FROM THE TIME OF MICKHAIL NESTEROV TO THESE DAYS   

NOVEMBER 26, 2021

Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow

10.30am – 14.00 – Morning Session

Moderator: Yulia E. Revzina, Academician of the Russian Academy of Arts, Professor of the Moscow Institute of Architecture

Ivan A. Sharapov, artist of monumental art, the Urals State Architecture and Art University, Associate Professor, Chair for Composition and Artistic Training (Ekaterinburg);

Olesya A. Berkovich, artist of monumental art, graphic artist, the Urals State Architecture and Art University, Senior Teacher, Chair for Composition and Artistic Training (Ekaterinburg)

PLASTIC METHODS IN THE SOVIET MONUMENTAL ART AS A SYNTHESIS OF TRADITIONS

Marina L. Terekhovich, independent researcher, Member of the Board of the Association of Art Historians, Member of the Moscow Union of Artists (Moscow)

AN ARTIST AND TYPICAL PALACES OF CULTURE IN THE ARCHITECTURE OF THE SOVIET MODERN ART OF THE 1960-1980s

Irina V. Belintseva, PhD in Art History, Associate Professor, Leading Researcher of the Research Institute of Theory and History of Architecture and Urban Planning (Moscow);

Andrey V. Levchenko, PhD in Geography, Associate Professor, I. Kant Baltic Federal University (Kaliningrad)

THE SYNTHESIS OF ARTS IN THE ARCHITECTURE OF PUBLIC BUILDINGS OF KALININGRAD REGION IN THE LATE 1960s – EARLY 1980s: THE REGIONAL SPECIFIC FEATURE OR ALL-RUSSIAN PRIORITIES?

Natalia V. Muradova, People’s Artist of Russia, Academician of the Russian Academy of Arts (Moscow)

THE ROLE OF DECORATIVE ART IN THE ARCHITECTURE AND ITS INTERACTION WITH THE INTERIOR

Liudmila Kazakova, Doctor of Art History, Professor, Chief Researcher of the Research Institute of Theory and History of Fine Arts of the RAA, Academician of the Russian Academy of Arts (Moscow)

STAINED GLASS IN MODERN SPACE   

Nina A. Konovalova, PhD in Art History, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the RAA, Leading Researcher of the Research Institute of Theory and History of Architecture and Urban Planning (Moscow)

THE SYNTHESIS OF ARTS AS THE FORMATION OF THE SEMANTIC SPACE OF MODERN MUSEUMS IN JAPAN

Sergey I. Orlov, PhD in Art History, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the RAA, Corresponding Member of the Russian Academy of Arts (Moscow)

HENRI MATISSE. FROM THE AUTHOR’S BOOK TO MONUMENTAL PROJECTS

Irina S. Fomicheva, PhD in Art History, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the RAA, Corresponding Member of the Russian Academy of Arts (Moscow)   

THE COLOR IN THE CITY

Olga I. Leksina, PhD in Art History, Member of the Association of Art Historians (Moscow)

THE SCULPTURE OF ANDREU ALFARO IN THE PUBLIC SPACE: INTERACTION WITH ARCHITECTURE AND NATURAL ENVIRONMENT

Elena O. Romanova, Advisor to the Department of Art History and Art Criticism of the RAA, Academician of the Russian Academy of Arts (Moscow)

MONUMENTAL WORKS BY ZURAB TSERETELI FOR THE USSR EMBASSY BUILDING IN BRAZIL: THE SYNTHESIS OF ARTS OR DECORATION OF THE SPACE?

Natalia I. Anikina, Art Historian, the Honored Art Worker of Russia, Academician of the Russian Academy of Arts (Moscow)

THE SYNTHESIS OF ARCHITECTURE AND MONUMENTAL ART IN THE LATEST STATIONS OF THE MOSCOW UNDERGROUND. THE 21^ST CENTURY

Marianna E. Maevskaya, Senior Researcher of the Research Institute of Theory and History of Architecture and Urban Planning, Professor of the International Academy of Architecture, Head of the educational section “Urban Architecture” of the Liberal Arts Faculty of the Institute of Public Sciences of the Russian Presidential Academy of National Economy and Public Administration (Moscow)

MURALS AND MEDIAFACADES  - MONUMENTAL ART OF THE 21^ST CENTURY CITY    




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