FROM COLOR TO LIGHT: PROBLEMS OF INTERACTION OF ARTS AT THE TURN OF THE MILLENNIUM – INTERNATIONAL RESEARCH CONFERENCE
The Russian Academy of Arts, the Research Institute of Theory and History of Fine Arts of the RAA, Sergey Gerasimov All-Russian State Institute of Cinematography, New Institute of Cultural Studies, Moscow International Foundation for Support to UNESCO, State Central Cinema Museum, Union of Filmmakers of Russia and Guild of Film Critics of Russia invite you to attend the International Research Conference “From Color to Light”: Problems of Interaction of Arts at the Turn of the Millennium”, that will take place at the Russian Academy of Arts (21 Prechistenka street, Moscow) on October 17,2019 and Sergey Gerasimov State Institute of Cinematography (3 Wilhelm Pieck street, Moscow) on October 18-19, 2019.
THE CONFERENCE PROGRAM
OCTOBER 17, 2019
Venue: the White Hall of the Russian Academy of Arts
21 Prechistenka street, Moscow
10.00 – Registration of Participants
10.30 – Opening of the Conference
Welcoming addresses:
- Mickhail E. Shvydkoy, Doctor of Art History Professor
- Victor G. Kalinin, Academician, the First Vice-President of the Russian Academy of Arts
- Andrey A. Zolotov, Academician, Vice-President of the Russian Academy of Arts
11.00 – Morning Session
Moderators:
Tamara Galeeva, PhD in Art History, Head of the Chair for Art History and Museum Studies of Boris Yeltsyn Urals Federal University (Ekaterinburg)
Tatyana Kochemasova, PhD in Art History, Academician, Vice-President of the Russian Academy of Arts (Moscow)
Krasimira Lukicheva, PhD in Art History, Honorary Member of the Russian Academy of Arts, Deputy Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (Moscow)
FROM GOETE TO TURNER: COLOR AND LIGHT IN THE THEORY OF ARTS AND PAINTING OF THE 19TH CENTURY
Nina Getashvili, PhD in Art History, Professor, Head of the Chair for World Art History of I. Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow)
LIGHT AS AN AURA IN THE EUROPEAN ART AT THE TURN OF THE 19-20TH CENTURIES
Elizaveta Linnainmaa, Art Historian, Member of ICOM, graduate of V. Surikov Moscow State Academy Art Institute, Head of Projects by Black River Co. (Moscow)
DIVISIONISM IN ITALY: SHIMMERING OF IMAGES AND “PAINTING OF IDEAS” OF GAETANO PREVIATI
Olga Muromtseva, PhD in History, Associate Professor, S. Stroganov Moscow State Academy of Arts and Industry (Moscow)
GIACOMO BALLA: FROM PAINTING IN THE DIVISIONISM TECHNIQUE TO CREATION OF A LIGHT SHOW
Anna Spiridonova, Senior Teacher, St. Petersburg National Research Institute of Information Technologies, Mechanics and Optics (St. Petersburg)
LIGHT ART AT THE EARLY 20TH CENTURY: ORIGIN AND GENESIS IN MODERNISM ART
Vitaly Patsyukov, Corresponding Member of the Russian Academy of Arts, Head of the Department for Interdisciplinary Programs of the State Center of Modern Art (Moscow)
DIALOGUES BETWEEN ELECTRIC AND GAS LIGHT IN THE 20th CENTURY ART: MALEVICH, DUCHAMP, CAGE
Nickolai Naumov, Moscow Artists’ Union, Union of Art Historians (Moscow)
Marianna Shepf, Union of Composers of Russia (Moscow)
Arseny Smirnov, Moscow Institute of TV and Radio “Ostankino” (Moscow)
FROM EXPRESSIONISM IN PAINTING TO MUSICAL FANTASY AND MULTIMEDIA. ON THE EXAMPLE OF WORKS BYGUY DE MONTLAUR
13.00-14.00 – Lunch
14.00 – 18.00 - Afternoon Session
Moderators:
Krasimira Lukicheva, PhD in Art History, Honorary Member of the Russian Academy of Arts, Deputy Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (Moscow)
Vitaly Patsyukov, Corresponding Member of the Russian Academy of Arts, Head of the Department for Interdisciplinary Programs of the State Center of Modern Art (Moscow)
Tatyana Parkhomenko, Doctor of History, Head of the Center of Cultural Heritage of the Russian Diaspora, Chief Researcher of Dmitry Likhachev Russian Research Institute of Cultural and Natural Heritage (Moscow)
SEARCHES OF THE NEW “MEASURE OF PEACE” AND SYNTHESIS OF ARTS AT THE EARLY 20TH CENTURY
Elena Shakhmatova, Doctor of Philosophy, Associate Professor, Head of the Research Department of the Russian Institute of Theater Art (Moscow)
MICKHAIL MATYUSHIN AND THE PROBLEM FIELD OF “EXTENDED VIEWING”
Georgy Kovalenko, Doctor of Art History, Academician of the Russian Academy of Arts, Head of the Department of the 20th Century Russian Art of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
THE LIGHT THEATER OF PAVEL CHELISCHEV
Tamara Galeeva, PhD in Art History, Head of the Chair for Art History and Museum Studies of Boris Yeltsyn Urals Federal University (Ekaterinburg)
LIGHT SYMPHONIES OF SERGEY SHARSHUN
Elena Ilyina, Head of the Department for Study of A.S. Golubkina Creative Work in the State Tretyakov Gallery (Moscow)
Larisa Smirnykh, Chief Custodian, Museum of Fine Arts (Nizhni Tagil)
LIGHT PAINTING OF PAVEL GOLUBYATNIKOV – PUPIL OF KUZMA PETROV-VODKIN
Maria Timina, undergraduate of the Chair for Russian Art of the Moscow State University
THE LIGHT-COLOR PRINCIPLE IN THE WORK OF IVAN KLYUN
Elena Menshikova, PhD in Cultural Studies, expert (Moscow)
OVERTHROWING THE COLORS, COMPOSING THE LIGHT – OPTICAL DISTORTIONS: POST-WAR GROTESQUES OF PAVEL PHILONOV
OCTOBER 18, 2019
Venue: Sergey Gerasimov All-Russian State Institute of Cinematography,
Hall of the Scientific Council
3 Wilhelm Piek, Moscow
10.00-13.00 – Morning Session
Moderators:
Nadezhda Kargopolova, PhD in Art History, Deputy Head of the Regional Department of the Russian Academy of Arts (Moscow)
Kirill Pazlogov, Doctor of Art History, Professor, Head of the Department for the Development and Approbation of Methods of Cinema Education of Sergey Gerasimov All-Russian State Institute of Cinematography, Honored Art Worker (Moscow)
Kirill Razlogov, Doctor of Art History, Professor, Head of the Department of Sergey Gerasimov All-Russian State Institute of Cinematography, Honored Art Worker (Moscow)
COLORS OF DARKNESS AND “FLOWERS OF EVIL”
Rimma Baiburova, PhD in Art History, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
FROM COLOR TO LIGHT IN INTERIORS OF THE 20TH CENTURY
Olga Kostina, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (Moscow)
LIGHT AND COLOR IN THE MOSCOW SUBWAY
Mickhail Dyachkov, Member of the Creative Artists’ Union of Russia (Moscow)
LIGHT AS A NEW INSTRUMENT OF AN ARTIST. TRANSFORMATION OF THE CULTURE OF PERCEPTION
Olga Kolganova, PhD in Art History, Researcher, Russian Institute of History of Arts (St. Petersburg)
GRIGORY GIDONI: THE DEVICE FOR OBTAINING LIGHT DECORATIONS ON A TRANSPARENT SCREEN (1920)
Irina Chmyreva, PhD in Art History, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
COLOR-LIGHT-COLOR. FROM THE TRADITION OF PICTURESQUE PORTRAIT – TO THE PAINTED PHOTOGRAPHIC PORTRAIT
Natalia Tolstaya, Corresponding Member of the Russian Academy of Arts, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
ALEXEY BLAGOVESTNOV. LIGHT AND COLOR ON THE WHITE PLASTER
Ioanna Mirlas, student, Alexey Gorki Institute of Literature, member of Hoffmann Society (Russia-Germany)
COLOR AND LIGHT SYNTHESIS AS AN INSTRUMENT OF RECEPTION
VERSATILITY IN THE CREATIVE WORK OF KSENIYA ANUFRIEVA-MIRLAS
13.00-14.00 - Lunch
14.00-18.00 – Afternoon Session
Moderators:
Tatyana Parkhomenko, Doctor of History, Head of the Center of Cultural Heritage of the Russian Diaspora, Chief Researcher of Dmitry Likhachev Russian Research Institute of Cultural and Natural Heritage (Moscow)
Evgeni Steiner, Doctor of Art History, Professor of the Higher School of Economics (Moscow)
Nadezhda Kargopolova, PhD in Art History, Deputy Head of the Regional Department of the Russian Academy of Arts
ALEXANDER A. LAGORIO: MEMBER OF THE ASSOCIATION OF REVOLUTIONARY CINEMATOGRAPHY AND GERMAN CINEMA AND TECHNICAL SOCIETY. ON THE CAMERAMAN’S BIOGRAPHY
Rustam Saifullin, veteran of “Prometheus” Institute (Kazan)
ON THE WORKS OF THE INSTITUTE OF EXPERIMENTAL AETHETICS “PROMETHEUS”
Irina Mamonova, PhD in Art History, Associate Professor, teacher, St. Petersburg State University (St. Petersburg)
AUGUST LANIN. POSTAPOCALYPSIS. COLOR AND MUSIC SPACE PROJECTS OF THE 1960-S – EARLY 2000-S
Irina Sakhno, Doctor of Philosophy, Professor of the Chair for Theory and History of Culture of the Russian University of Friendship of Peoples (RUDN University), Member of the All-Russian Association of Art Historians (Moscow)
THE EYE IS LISTENING: COLOR MUSIC AND VISUAL PERCEPTIONS OF JAMES TURREL
Anna Koleichuk, Vladimir Dal State Museum of History of Russian Literature (Moscow)
TOTAL THEATER OF VYACHESLAV KOLEICHUK
Elena Fedotova, PhD in Physics and Mathematics, Bachelor of Theology, St. Andrew Biblical and Theological Institute
LIGHT AND COLOR AS PICTORIAL MEANS IN THE BIBLICAL NARRATIVE
Olga Schedrina, Bachelor of Cultural Studies, undergraduate of the Department of Cultural Studies of the Russian State University for the Humanities, Head of the PR Department of the Charitable Foundation “The Art of Mercy” (Moscow)
DIGITAL LIGHT AS A METHOD FOR SACRALIZAYION OF RELIGIOUS SPACES: NOWADAYS PROBLEMS
OCTOBER 19,2019
Venue: Sergey Gerasimov All-Russian State Institute of Cinematography.
Hall of Scientific Council
3 Wilhelm Piek, Moscow
10.00-13.00 – Morning Session
Moderators:
Nina Kochelyaeva, PhD in History, Director of the New Institute of Cultural Studies, Leading Specialist of the Department for the Development and Approbation of Methods of Cinema Education of Sergey Gerasimov All-Russian State Institute of Cinematography
Natalia Tolstaya, Corresponding Member of the Russian Academy of Arts, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
Liudmila Klyueva, Doctor of Art History, Associate Professor of the Chair for Film Studies of Sergey Gerasimov All-Russian State Institute of Cinematography (Moscow)
LIGHT AS THE MAIN IDEA CARRIER IN ART CONCEPT
Denis Mylnikov, Researcher of the TV and Cinema Sector of the Russian Institute of Arts History (St. Petersburg)
LIGHT IN MOTION PICTURE AS PROPERTY OF THE REALITY AND FACTOR OF CONDITIONALITY
Valery Arkhipov, Head of the Art Department of Sergey Gerasimov All-Russian State Institute of Cinematography (Moscow)
ARTISTIC FEATURES OF THE RED COLOR IN CINEMA
Karina Karaeva, PhD in Art History, teacher of the Modern Art program, the Higher School of Economics (Moscow)
COLOR AND DRAMA PALETTE OF SOME FILMS OF NICOLAS ROEG AND THE THEORY OF COLOR
Anna Vorobieva, postgraduate of the TV and Cinema Sector of the Russian Institute of Arts History (St. Petersburg)
SEMANTICS OF COLOR AND LIGHT AS STRUCTURAL AND COMPOSITION FEATURES OF MOVIE PARABLE IN FILMS OF THE UKRAINIAN POETIC CINEMATOGRAPHY OF THE 1960-S-1980-S. “THE SPECIAL COLOR IN THE MOVIE “THE EVENING ON THE VERGE OF IVAN KUPALA”
Larisa Berezovchuk, PhD in Art History, Associate Professor, Senior Researcher of the TV and Cinema Sector of the Russian Institute of Arts History
THE FUNCTION OF COLOR IN MOVIE NARRATION : “THE PLAN OF THE DISCOURSE” (ON THE EXAMPLE OF THE TRILOGY “THREE COLORS” BY KRZYSZTOF KIESLOWSKI
Sergey Kapterev, Senior Researcher, Sergey Gerasimov All-Russian Institute of Cinematography (Moscow)
VISIONARY LIGHT, HISTORICAL LIGHT, WEIRD LIGHT, LIGHT AND COLOR DESIGN IN STANLEY KUBRICK FILMS “SPACE ODYSSEY of 2001”, “BARRY LINDON” and “RADIANCE”
Marina Toropygina, senior teacher, leading specialist in methods of cinema education of Sergey Gerasimov All-Russian Institute of Cinematography (Moscow)
PLAY OF LIGHT AND COLOR: PAINTING TRADITION AND PICTORIAL SOLUTION OF THE TV SERIES “GAME OF THRONES”
13.00-14.00 – Lunch
14.00-17.00 – Afternoon Session
Moderators:
Kirill Razlogov, Doctor of Art History, Professor, Honored Art Worker, Head of the Department for Development and Approbation of Methods of Cinema Education of Sergey Gerasimov All-Russian Institute of Cinematography (Moscow)
Marina Toropygina, senior teacher, leading specialist in methods of cinema education of Sergey Gerasimov All-Russian Institute of Cinematography (Moscow)
Nickolai Naumov, Moscow Artists’ Union, Union of Art Historians (Moscow)
FROM PHOTON FLUX TO MUSIC, POETIC, MULTI-MEDIA FORMS
Evgeni Steiner, Doctor of Art History, Professor of the Higher School of Economics (Moscow)
COLOR PAINTING BY COLOR FORMS: FROM CANVAS TO FILM AND PIXELS
Lada Balashova, PhD in Art History, University of Essex (Colchester, Great Britain)
COLOR AND LIGHT CONCEPTS IN BRITISH CONTEMPORARY ART: NEW FORMS OF TRADITIONAL ARTS AND GESAMTKUNSTWERK
Kira Matissen, artist, curator
POSSIBLE STRATEGIES AND DEVELPMENTS OF CONTEMPORARY ARTISTS “INCLUDING” THE CORRELATION OF LIGHT AND COLOR IN CONCEPT MODELA OF ART EXPRESSIONS
Ekaterina Kalyuzhnaya, PhD in Pedagogics, senior teacher of the Chair for Management in Physical Culture and Sports oft the Institute of Physical Culture, Sports and Youth Policy of Boris Yeltsin Urals Federal University (Ekaterinburg)
COLOR SYMBOLISM OF THE “FIRE” PALETTE IN THE PRACTICE OF SHAPING FEMALE IMAGES OF MASS CULTURE
Svetlana Khlystunova, senior researcher of the TV and Cinema Sector of the Russian Institute of History of Arts (St. Petersburg)
COLOR CORRECTION FOR CREATION OF AN ARTISTIC IMAGE: POSSIBILITIES OF DIGITAL VISUAL EFFECTS
Konstantin Khudyakov, Vice-President of the Russian Academy of Arts
THE ART OF DEEP SUBMERSION. INNOVATIVE TECHNOLOGIES IN FINE ARTS
Arthur Rynkis, artist, Riga, Lithuania
MY WORLD OF COLOR, LIGHT, MOTION AND MUSICprint version