FEATURES OF THE DEVELOPMENT OF TECHNIQUES AND TECHNOLOGIES IN ART. HISTORY AND NOWADAYS: INTERNATIONAL RESEARCH CONFERENCE AT THE RUSSIAN ACADEMY OF ARTS

The Russian Academy of Arts (RAA), the Department of Art History and Art Criticism and Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, the Research and Organizing Department of the Russian Academy of Arts and Moscow International Foundation for Support to UNESCO invite you to attend the International Research Conference “Features of the Development of Techniques and Technologies in Art. History and Nowadays”, that will take place in the White Hall of the Russian Academy of Arts on October 31- November 2, 2018.

 

The Conference Organizing Committee

Chairman:

Zurab Tsereteli, President of the Russian Academy of Arts

Deputy Chairmen:

-Victor Kalinin, the First Vice-President of the Russian Academy of Arts;

-Tatyana Kochemasova, Vice-President of the Russian Academy of Arts      

-Natalia Tolstaya, Director of the Research Institute of Theory and History of Fine Arts of the Russia Academy of Arts

-Dmitry Shvidkovsky, Vice-President of the Russian Academy of Arts

 

Members of the Organizing Committee:

-Tatyana Astrakhantseva, Head of the Education Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

-Andrey Zolotov, Vice-President of the Russian Academy of Arts

-Krasimira Lukicheva, Deputy Director for Research of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

-Elena Romanova, Adviser to the Department of Art History and Art Criticism of the Russian Academy of Arts, PhD in Art History

 

 

PROGRAM OF THE CONFERENCE  

 

October 31, 2018 (Wednesday)

Venue: the White Hall of the Russian Academy of Arts

             21 Prechistenka street, Moscow

 

10.00am – 10.30am – Registration of the participants

10.30am – Opening of the Conference

 

Greeting addresses:

-Victor Kalinin, the First Vice-President of the Russian Academy of Arts

-Andrey Zolotov, Vice-President of the Russian Academy of Arts

-Natalia Tolstaya, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts   (RAA)                                             

 

11.00am – Morning Session

Moderator: Natalia Tolstaya, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts of the RAA

 

Krasimira Lukicheva, PhD in Art History, Deputy Director of the Research Institute of Theory and History of Fine Arts of the RAA

Technical and Technological Aspects as the Style-Forming Factor in the European Painting of the New Time

 

Maria Burganova, Doctor of Art History, Academician of the Russian Academy of Arts, Prof. of the Chair for Monumental and Decorative Sculpture of S. Stroganov Moscow State Academy of Arts and Industry

New Technologies within the Education Process in the Chair for Monumental and Decorative Sculpture of S. Stroganov Moscow State Academy of Arts and Industry

 

Elena Yakovleva, Doctor of Art History, Professor of the Chair for Drawing of

of the Department of Fine Arts of A. Hertsen Russian State Pedagogical University, St. Petersburg

Vasily Shukhaev about the Techniques and Technology of Painting

 

Dorota Ignatovich-Vozhnyakovska, Lukash Kovnatsky, Mateusz Kierepka, Poland (Chief Restorer of the National Museum in Warsaw Dorota Ignatovich –Vozhnyakovska and Doctor of Medicine Lukash Kovnatsky, European Health Center Otvotsk, Mateusz Kierepka – Chief Executive Officer ArtApp)

Modern Methods of Analytical Depicting in Examinations

– “Korpus dziel malarskich Henryka Siemiradzkiego”

 

Liudmila Kazakova, Academician of the Russian Academy of Arts, Doctor of Art History, Chief Researcher of the Decorative and Applied Arts Department of the Research Institute of Theory and History of Fine Arts of the RAA

Transcriptions of Traditional Technical Methods in Today’s Creative Work  

 

Gianni Potsani, Vice-President of the Verona Academy of Arts, Verona, Italy

Glass Cameos from the Imperial Period of Ancient Rome             

 

 

Tatyana Astrakhantseva, Doctor of Art History, Head of the Academic Education Department of the Research Institute of Theory and History of Fine Arts of the RAA

The Technology of Fake Gzhel Porcelain Production   

 

Elmira Akhmetova, PhD in Art History, Director of R.Akhmetov Art Gallery (ART SPACEkz), Sculptor, PhD in Art History, Member of the Artists’ Union of the Republic of Kazakhstan, Member of the International Association of Art Critics of UNESCO, Kazakhstan

Steampunk in Kazakhstan                                          

                                                         

                                                         

Dorota Ignatovich-Vozhnyakovska, Chief Restorer of the National Museum in Warsaw, Poland

“The Battle of Grunwald” by Jan Matejko and Restoration Work in 1921-2012.

The Exhibition of the Canvas in Vilno in 1999

 

Leila Khasyanova, Corresponding Member of the Russian Academy of Arts, PhD in History, Professor, Honored Artist of Russia

The Salvation of the Canvas “The Battle of Grunwald” During WW1 and WW2    

 

14.00-15.00 – Lunch

 

15.00 – Afternoon Session

Moderator: Maria Vyazhevich, Academician of the Russian Academy of Arts   

 

Christof Berri, Director of the Foundry of Coubertin Foundation

Development Peculiarities of Casting Skills Technologies in France

 

Andrey Tyrtyshnikov, Academician of the Russian Academy of Arts

Experience of Cooperation with French Foundries     

 

Stanislav Tkachenko, President of St. Petersburg and Leningrad Region Association of Casters, Honored Steelmaker of Russia, Doctor of Engineering, Professor, Deputy Director for Research of the Affiliate of the Russian Academy of Arts “Liteiny Dvor” Creative Workshop

Art Casting on the Basis of Artworks Produced in the Digital Form

 

Nickolai Shumakov, Academician of the Russian Academy of Arts. The Head of the Architects’ Union of Russia

Modern Technologies for Moscow Subway

 

Alexey Salimov, Doctor of Art History

Technical and Technological Features in the Early 15th Century Tver Architecture

 

Yulia Klimenko, Professor, PhD in Architecture, Moscow Institute of Architecture

On New Vaulted Structures in the Moscow Architecture of the Age of Empire

 

 

Ekaterina Bubnova, artist-monumentalist, Section of Artists of Monumental and Decorative Art of the Moscow Union of Artists

Digital Technologies in Monumental Art

 

Valery Igoshev, Doctor of Art History, Restorer of the Highest Qualification

Traditional Techniques of Art Metal

 

Marina Piven, PhD in Art History, Senior Researcher of the Department for Monumental Art and Art Problems of Architecture of the Research Institute of Theory and History of Fine Arts of the RAA

The Décor of the 15th Century Italian Wedding Chests: Historical Technologies and Later Reconstructions

 

Maria Maistrovskaya, Doctor of Art History, Prof. of the Chair for History and Theory of Decorative Art and Design, Leading Researcher of the Design Department of the Research Institute of Theory and History of Fine Arts of the RAA

Material and Technology as a Factor of Form Creation in Today’s Furniture Design (International and Russian Experience)

 

Sophia Naumenko, S. Stroganov Moscow State Academy of Arts and Industries

Classical and New Techniques and Technologies for Furniture Decoration

 

November 1, 2018 (Thursday)

Venue: the White Hall of the Russian Academy of Arts

            21 Prechistenka street, Moscow

 

10.30 – Morning Session

Moderator: Tatyana Astrakhantseva, Doctor of Art History

 

Oleg Khromov, Academician of the Russian Academy of Arts, Doctor of Art History, Professor of the Restoration Chair of the Russian State University for the Humanities

Technological Features of the “Exterior” of the 16-17th Russian Books of Cyrillic Printing

 

Anna Ryndina, Doctor of Art History, Honored Art Worker of Russia, Professor,

Head of the Old Russian and Religious Art Department of the Research Institute of Theory and History of Fine Arts of the RAA

Events and Images of the Past “in the Circle of Times”. From the 11th Century Relief Image “Volto Santo” in Lucca (Church of San Martino) and Belt of Gold of the Viking Simon (son of African) to the Wooden Carved Figures of the Savior of the late 17-18th Century in the Kama Region

 

Natalia Bartels, Senior Researcher of the Department for the Dictionary of Russian Artists of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

Technical and Technological Features of the 19th Century Russian Religious Paintings: On the Issue of Preservation Condition

 

Vera Kazarina, PhD in Art History, Director of the Research Archives of the Russian Academy of Arts, Member of the Artists’ Union of Russia

Reconstruction of Medieval Techniques in Modern Works of Church Sewing

 

Anastasia Agafonova, Prof. of S. Stroganov Moscow State Academy for Arts and Industry, PhD in Art History and

Evgeny Matko, Associate Professor of S. Stroganov Moscow State Academy for Arts and Industry

New Technologies in the Art of Hot Enamel

 

Evgeny Baranov, Chief Artist of the SIRIN Jewelry Co.

Recreation, Development and Prospects of Enamel Technologies. From Faberge to Today’s Enamel Makers

 

Vera Puck, PhD in Art History, Rostov

On the problem of Preservation of the 20th Century Works of Rostov Enamel. Risks of the Present and the Future    

 

Tatyana Malakhova, Senior Researcher of the Department of Old Russian and Religious Art of the Research Institute of Theory and History of Fine Arts of the RAA

The Lacy Ciborium of the Byzantine Relief Icons Made of Ivory in the 10-11th Century. The Compositional and Semantic Role, Types and Production Technology

 

Victor Erokhin, Corresponding Member of the Russian Academy of Arts, Honored Artist of Russia

The Treatment of Coin Edges – From the Past to the Present

 

Olga Kostina, Leading Researcher of the Department for Monumental Art and Art Problems of Architecture of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

The Metro Era: In Search of Decorative Expressiveness of Stations. Materials and Technologies for the First Moscow Metro Stations

 

 

14.00-15.00 – Lunch

 

15.00 – Afternoon Session

Moderator: Krasimira Lukicheva, Deputy Director of the Research Institute of Theory and History of Fine Arts of the RAA

V. P. Efimenko, I.V. Konova, O.Y. Rusakova, Research Laboratory of the Moscow Museum of Modern Art

Experience in the Inter-Museum Cooperation

 

Tatyana Lukyanova, Head of the Department of Painting Restoration, Head of the Chair of I. Glazunov Russian Academy of Painting, Sculpture and Architecture

The History of the Technology Development of Old Russian Fresco Painting

 

Vladimir Buryi, Professor of the Chair for Restoration of Monumental and Decorative Painting of S. Stroganov Moscow State Academy for Arts and Industry, Artist-Restorer of the Highest Qualification, PhD in Art History and

Natalia Borisova, Head of the Chair for Restoration of Monumental and Decorative Painting of S. Stroganov Moscow State Academy for Arts and Industry, Artist-Restorer of the Highest Qualification

New Technologies for Restoration of the 19th-20th Century Oil Wall Paintings in the Ascension Cathedral of Orshin Monastery

 

Yury Kozak, Artist-Restorer, the State Research Institute for Restoration

The Advantages of New Materials and Technologies for Restoration in the Interior Painting on the Example of the Restoration of the Plafonds for the Ball Hall of the Orlov and Denisov Estate

 

Anna Khlavna, Artist-Restorer of the Research Department for Restoration of Oil Painting of the State Research Institute for Restoration

The Creation Technology for the Portrait by George Dawe “The Portrait of the Widow Empress Elizabeth Alekseevna” from the Collection of the State History Museum. The View from the Restoration Studio

 

Maria Nikolaeva, PhD in History, Leading Researcher of the Dictionary of Russian Artists Department of the Research Institute of Theory and History of Fine arts of the RAA and

Marina Gorycheva, Chief Architect of the Special Research and Production Workshop, Moscow

The Structural and Decorative Features of the Iconostasis of the Smolensk Cathedral of the Novodevichy Convent: Work of Masters of Wood in the 17th Century Sources and Full-Scale Surveys in the 21st Century

 

Daria Fomicheva, Corresponding Member of the Russian Academy of Arts, Pro-Rector of S. Andriyaka Academy of Watercolor and Fine Arts

“Not Hand Made” Drawing – “On the Graphic Techniques of the Renaissance”

 

Sergey Orlov, Leading Researcher of the 20th Century Russian Art Department of the Research Institute of Theory and History of Fine Arts of the RAA

Collage Technologies and Methods in Painting and Graphic Art

 

 

Ruslan Ozdoev, Artist-Jeweler, Member of the Artists’ Union of Russia

On the Workshop for Enamel Production

 

November 2, 2018 (Friday)

Venue: the White Hall of the Russian Academy of Arts

 

10.30-14.00 – Morning Session

Moderator: Natalia Tolstaya, Director of the Research Institute of Theory and History of Fine Arts of the RAA

 

Ilya Ostrovsky, “3-D Cooking” Publishing House, Moscow

Interpretation of Traditional Sculptural Techniques in the Work by Henry Moore

 

V.V. Semikin, I.V. Kononova, O.Y. Rusakova, E.V. Malkova, I.K. Reshetova, A.O. Kotova, the Research Laboratory of the Moscow Museum of Modern Art

The Experience in Using the Photo Matching Method for the Study of Paintings

 

Igor Smekalov, Doctor of Art History, Associate Professor of the Design Chair of the Architecture and Construction Department of the Orenburg State University

The Confrontation of Creative and Pedagogical Technologies in the Art of the Free School and the State Free Art Workshops of Orenburg (1919-1922). The Supremacist Ivan Kudryashov and Classicist Stepan Karpov

 

V.V. Semikin, I.V. Kononova, I.Y. Rusakova, E.V. Malkova, I.K. Reshetova, A.O. Kotova,the Research Laboratory of the Moscow Museum of Modern Art

The Technological Study of the Works by Kazimir Malevich from the Collection of the Moscow Museum of Modern Art on the Example of Two Portaits

 

Zinaida Starodubtseva, Chief Specialist of the Russian State Archives of Literature and Art, Moscow

On the Issue of the Technology of Today’s Art Education

 

Olga Pavlova, S. Stroganov Moscow State Academy for Arts and Industry

Periodical 20th – 21st Century Art Projects and New Technologies in Art

 

Sergey Golovach, Artist, Moscow

Computer Photography: Instruments and Trends

STAND PAPERS:

 

Sergey Dushka, S. Vavilov Institute of Natural History and Technology of the Russian Academy of Sciences, Moscow

Engineering and Design Solutions in Religious Art

 

Chzhao Pen, China

Hou Iming about the Technology of Ceramic Painting in China

 

Tatyana Kocheva, PhD in Engineering, Researcher, Ulan-Ude, Russia

Innovation Technologies for Creation of Ornaments in Folk Style

 

Valentina Voitekunas, the State Institute of Art History, Moscow

The Technique of Tempera Painting in Russian Art of the Late 19th – Early 20th Century

 

Maria Didrikh, S. Stroganov Moscow State Academy of Arts and Industries

The Technique of Encaustic in Miniature French Painting of the Late 18th – Early 19th Century

 

Elena Suvorova, Professor, PhD in Philosophy, S. Stroganov Moscow State Academy of Arts and Industry

The Role of Techniques and Technologies in the Development of the Interior Decoration Art

 

Elena Smolenchuk, Teacher of the Art Department of St. Petersburg State University

On the Russian Edition of the Book by Max Derner “Art Materials and Their Application in Painting”

 

Nikita Erofeev, custodian of the Funds of Rare Photographs of the State Tretyakov Gallery

Drawing, Engraving, Photograph. On the History of Reproduction of Italian Art in the 19th Century

 

Sergey Pogorely, Member of the Artists’ Union of Russia, Creative Union of Artists of Russia and International Federation of Artists, as well as the The Union of Designers International Association

Real Unreality or Photography as a Reality Mounting Method




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