The Russian Academy Of Arts

The Department of Art History and Art Criticism of the Russian Academy of Arts and the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts invite you to attend a research conference “The Installation: Classical Sources and the Future”, that will take place in the White Hall of the Russian Academy of Arts, 21 Prechistenka street, on April 6-7, 2017.

THE CONFERENCE PROGRAM

April 6, 2017 - Thursday

Morning Session – 11.00 a.m.
Moderator: Elena D. Fedotova, Corresponding Member of the Russian Academy of Arts

Welcoming address – Dmitry O. Shvidkovsky, Vice-President of the Russian Academy of Arts (RAA)

Elena D. Fedotova, the Research Institute of Theory and History of Fine Arts of the RAA
The Installation as a Phenomenon of Contemporary Art

Svetlana I. Kozlova, the Research Institute of Theory and History of Fine Arts of the RAA
The Triumphal Chariot as a Stage at the Italian Festivities of the Renaissance

Olga E. Etingof, the Research Institute of Theory and History of Fine Arts of the RAA
The Relief Decoration of the Facades of Byzantine Churches

Anna V. Pozhidaeva, the Research Institute of Theory and History of Fine Arts of the RAA
Reliquaries and their Display in the Church Interior of the Western Europe in the 10th-12th century

Marina A. Neglinskaya, the Institute of Oriental Sciences of the Russian Academy of Sciences
The Installation in Chinese Art: Sources of the Tradition

Tatyana H. Starodub, the Research Institute of Theory and History of Fine Arts of the RAA
Holiday Parades in Ottoman Miniature of the 16th-17th Century

Rimma M. Baiburova, the Research Institute of Theory and History of Fine Arts of the RAA
The Installation in a Church (by the example of the Church of Santa Maria degli Angeli e dei Martiri, Rome, Italy)

Maria Burganova, the Scientific and Analytical Magazine “Burganov House. The Space of Culture”  
From the Sculpture to the Installation

Maria T. Maistrovskaya, Research Institute of Theory and History of Fine Arts of the RAA
The Expositional Installation: Design and Experience

Afternoon Session – 15.00
Moderator: Elena D. Fedotova, Corresponding Member of the Russian Academy of Arts

Vladimir R. Aronov, the Research Institute of Theory and History of Fine Arts of the RAA
Installation as an Object of Creativity of Leaders of the 21st Century World Design

Krasimira L. Lukicheva, the Research Institute of Theory and History of Fine Arts of the RAA
The Phenomenon of Installation in the Context of Gesamtkunstwerk

Liudmila V. Kazakova,  the Research Institute of Theory and History of Fine Arts of the RAA
Open-Air Exhibitions of Art Glass and Ceramics as a Dialogue with a Landscape Environment  

Natalia V. Koptel,  A.N. Radischev Saratov State Art Museum
Installation in a Museum: An Artwork or Expositional Design? From the Experience of A.N. Radischev Museum

Pavel V. Voinitsky, Elena M. Zlatkovich, Belarus National Technical University, Belarus
The Art Installation as an Element of Museum Exposition: “The Path of a Poet” in Yanka Kupala State Literature Museum

Tatyana D. Karyakina, M. Lomonosov Moscow State University
The Symbolism of the 18th Century European Porcelain  

Elena D. Fedotova, the Research Institute of Theory and History of Fine Arts of the RAA
“The Alter of Good Fate” by Johann Wolfgang von Goethe: A Freestanding Structure in a Park Environment

Irina Y. Perfilieva, the Research Institute of Theory and History of Fine Arts of the RAA
The Installation in the Author’s Jewelry Art of Russia in the 2000-s

Nickolai A. Shendarev, St. Petersburg State Institute of Culture
Christian Stories in Installations of Modern Art

April 7, 2017 – Friday

Morning Session – 11.00 a.m.
Moderator: Elena D. Fedotova, Corresponding Member

Valentina A. Kryuchkova, the Research Institute of Theory and History of Fine Arts of the RAA  
The In-Situ Installation: From the Land Art to the Landscape Architecture

Valery T. Cherkashin, Natalia S. Cherkashina, artists
Underwater Installations

Sergey I. Orlov, the Research Institute of Theory and History of Fine Arts of the RAA
The Installation. From the Interior to the Landscape

Irina Y. Chmyreva, the Research Institute of Theory and History of Fine Arts of the RAA
The Photographic Installation on the Moscow Art Scene of the 1990-s

Evgeniya V. Orlova, the Research Institute of Theory and History of Fine Arts of the RAA
Joseph Beuys and Installation of Organic Materials

Anastasia Y. Koroleva,  the Research Institute of Theory and History of Fine Arts of the RAA
“The Tower of Fire” by Johannes Itten: Plastic Sketches or Proto-Installation

Elena V. Igumnova, the Research Institute of Theory and History of Fine Arts of the RAA
Exhibitions “Young British Artists” and the Installation Experience

Olga A. Yartseva, the Research Institute of Theory and History of Fine Arts of the RAA
Robert Raushenberg: From “Combine Painting” to the Installation

Yulia S. Lebedeva, Russian State University for the Humanities
The Installations of Keith Haring, Celebrated New York Artist of the 1980-s

Galina G. Mazheikina, independent art critic
Modern Approach to the Concept and its Implementation in the Installation in the 21st Century within the Framework of the Visual Culture Studies (by the Examples of Contemporary Art in Russia and CIS countries)

Elena M. Zlatkovich, Belarus State Academy of Arts
The Glass Installation as a Form of Thinking in the Belarus Art of the Late 20th – Early 21st Century

Konstantin V. Markov, S. Stroganov Moscow State Academy of Arts and Industry
The Installation as an Object of Copyright





print version