The Russian Academy Of Arts

The Russian Academy of Arts invites you to attend MOROZOV READINGS: International Research Conference organized by the Russian Academy of Arts, M. Lomonosov Moscow State University, Association of Art Historians and International Confederation of Artists’ Unions in honor of the 70th birth anniversary of Alexander Morozov. The Conference will take place in the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow on November 24-25, 2011.

MOROZOV READINGS: International Research Conference in Honor of the 70th Birth Anniversary of Alexander Morozov (1941-2010)

November 24-25, 2011

Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow

CONFERENCE PROGRAM

November 24, 2011

10.30 – Registration of participants
11.00 – Opening of the Conference
Opening speeches:
- Vladimir Goryainov, Chairman of the Association of Art Historians
- Dmitry Shvidkovsky, the Russian Academy of Arts
- Elena Gribonosova-Grebneva, M. Lomonosov Moscow State University
- Lidya Iovleva, the State Tretyakov Gallery
- Andrey Tolstoy, A. Pushkin State Museum of Fine Arts
- Masut Fatkulin, the International Federation of Artists’ Unions
- Mickhail Busev, the Research Institute of Theory and History
of Fine Arts of the Russian Academy of Arts
- Galina Konechna, “Galart” Publishing House

Morning Session
Led by Mickhail Busev, the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (RAA)

Mickhail Lazarev, the Research Institute of Theory and History of Fine Arts of RAA
Alexander I. Morozov – Art Historian

Alexander Yakimovich, the Research Institute of Theory and History of Fine Arts of RAA
The 20th Century. The Delayed Message to Sascha Morozov

Vera Chaikovskaya, the Research Institute of Theory and History of Fine Arts of RAA
Alexander Morozov as a Creative Personality with Internal Drive

Elena Rymshina, A. Pushkin State Museum of Fine Arts
Alexander Morozov’s Museum Concepts

Nina Golenkevich, the Yaroslavl Art Museum
The Collection of the 20th Century Art in the Holdings of the Yaroslavl Art Museum. The Concept of 2011 Exposition

Lyudmila Kuvshinskaya, A.V. Grigoriev Kozmodemyansky Art and History Museum, the Republic of Mary El
The Kozmodemyansk Collection of Graphic Art. The State Museum Fund of the Department of Fine Arts of Narkompros (People’s Commissariat of Education in 1919-1921)

Dzhamilya Daghirova, P.S. Gamzatova Dagestan Museum of Fine Arts
The Secular and Soviet Origins of Dagestan Fine Arts

14.30-15.00 – Coffee Break

15.00 - Afternoon Session
Led byElena Gribonosova-Grebneva, M. Lomonosov Moscow State University

Zhaukhar Appaeva, the Union of Artists of the Kabardin-Balkar Republic
The Formation of Kabardin- Balkar Fine Arts

Natalia Rosenberg, A. Hertsen State Teachers’ Training University
Deliverance from Stereotypes. The Art of Finno-Ugric and Turkic Peoples of the Volga Region and the Urals in the Soviet and Post-Soviet Periods

Irina Klyueva, N.P. Ogarev Mordovian State University
“The Soviet” and “Non-Soviet” in the Creative Work by Stepan Erzya

Galina Trifonova, the South-Urals State University
The Artistic Consciousness and Processes of Self-Organization in the Regional Art of the Late 1950s – 1980s

Lilia Ovchinnikova, the Tomsk Regional Art Museum
The Triumph of Art: a Siberian Episode

Tatyana Kruglova, B.N. Yeltsyn Urals Federal University
The Urals Industrial Painting: Unpremeditated Meanings of the Soviet History of Labor and Worker

Larisa Danilova, the Novokuznetsk Art Museum
Novokuznetsk Artists: Searches for the Escape from the Deadlock of These Days

Rauza Sultanova, G. Ibraghimbekov Institute of the Language, Literature and Art of the Academy of Sciences of the Republic of Tatarstan
The Set Design of the Tatar Theater in the 1940s – 1950s in the Concept of the Stage Director V. Bebutov (G. Kamal Tatar State Academic Theater as an Example)

Irina Balashova, the Vologda Regional Picture Gallery
The Industrial Theme in the Creative Work of A.V. Panteleev in the Context of the Soviet Industrial Landscape

November 25, 2011

11.00 – Morning Session
Led by Natalia Rosenberg, A. Hertsen State Teachers’ Training University

Elena Gribonosova-Grebneva, M. Lomonosov Moscow State University
The Searches for a Synthetic Style in Russian Art in the 1920s

Andrey Epishin, the Research Institute of Theory and History of Fine Arts of RAA
The “Homo Futurus” in the Early Soviet Art. The Myth, Project and Result

Tatyana Efrussy, the Museum of the Moscow Institute of Architecture
The Artists of the Bauhaus in the USSR: Hinnerk Scheper, Erich Borchert and “Malyarstroy” Trust

Aram Asoyan, St. Petersburg Trade Unions University for the Humanities
Crystallography as a Metaphor of Pavel Filonov’s “Analytical Method”

Irina Skvortsova, P.I. Chaikovsky Moscow State Conservatoire
The Fate of Stalin’s “Fellow Travellor”. Gavriil Popov - Composer of the Russian Avant-Garde

Lada Balashova, Essex University, Department of the Humanities, Great Britain
Neoclassical Topic in the Creative Work by Pablo Picasso and Peter Konchalovsky in the 1920s

Alexandra Strukova, the State Institute of Art History
The Landscape in the Work by Members of the Leningrad Society “The Artists’ Circle”: About How the “Bad” Genre Became the Only Possible

Tatyana Plastova, V. Surikov Moscow State Academy Art Institute
Stylistic Tendencies in the Painting by A.A. Plastov in the 1920s-1950s in the Context of European Art Traditions

Tamara Kruzhkova, the State Tretyakov Gallery
Themes and Genres of the “Stern Style”. The Center and the Republics

Olga Polyanskaya, the State Tretyakov Gallery
Five Shades of the Red: Peculiarities of the Formation of the Professional Fine Arts in the Republics of Middle Asia and Kazakhstan in the Soviet Period

14.30-15.00 – Coffee Break

15.00 – Afternoon Session Led by Olga Kalughina

Ekaterina Bobrinskaya, the State Institute of Art History Disciplinary Spaces

Anna Florkovskaya, V. Surikov Moscow State Art Institute
The Studio of Nickolai Sinitsyn. On the Issue of the Moscow Art Education of the Second Half of the 20th Century

Anna Chudetskaya, A. Pushkin State Museum of Fine Arts
The Strategy of Escapism? Some Aspects of the Study the Creative Work by Vladimir Weisberg (1924-1985)

Nadezhda Musyankova, the State Tretyakov Gallery
Mysteries of Mickhail Kulakov (Dramatic Act as a Quintessence of Abstract Painting)

Tatyana Babikova, the Omsk State Teachers’ Training University
The “Other” Romanticism of Nickolai Babin

Marina Moskalyuk, the Siberian Federal University
The Late Soviet Art of the Krasnoyarsk Region: the Senses in Brackets and behind the Brackets…

Irina Riznychok, the Ekaterinburg Museum of Fine Arts
The Generation after the 1980s. The Painting of Official Masters in the Time of the “Restructuring”

Elizaveta Malinovskaya. Association of Art Historians, Kazakhstan
The Soviet Art in the Post-Soviet Exhibition Space: Private Galleries

Valery Sluzhivtsev, The State University of Yugra, Khanty-Mansiysk
The Image and “Post-Image” in Contemporary Art

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