WORK OF ART – DOCUMENT OF THE TIME: INTERNATIONAL SCIENTIFIC AND PRACTICAL CONFERENCE

March 23-24, 2011
Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka steet, Moscow

Organizers:
The Russian Academy of Arts The Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

CONFERENCE PROGRAM

March 23, 2011
10.30 am – 2 pm – Morning Session

Opening Speeches:
Dmitry Shvidkovsky, Doctor of Art History, Prof., Vice-President of the Russian Academy of Arts, Academician-Secretary of the Art History and Art Criticism Department of the Russian Academy of Arts, Academician of the Russian Academy of Architecture and Construction Sciences, Moscow
Victor Vanslov, Doctor of Art History, Prof., Academician and Member of the Presidium of the Russian Academy of Arts, Director of the Research Institute of Theory and History of Fine Arts, Moscow
Tatyana Malinina, Doctor of Art History, Prof., the Research Institute of Theory and History of Fine Arts

11.00 am - Plenary Session: Urgent Aspects of Study of the Phenomenon of Modern Times in Art
Led by Mickail Busev, Candidate of Art History, Corresponding Member of the Russian Academy of Arts, Deputy Director of the Research Institute of Fine Arts

Vladimir A. Aronov, Doctor of Art History, Prof., Head of the Design Department of the Research Institute of Theory and History of Fine Arts
Metamorphoses of Time in the Contemporary Design Culture
Irina Dobritsyna, Doctor of Art History, Head of the Department of Theory and History of Architecture and Town Building of the Russian Academy of Architecture and Construction Sciences, Moscow
Ambitions of an Architect in the Global Epoch
Tatyana Malinina, Doctor of Art History, Prof., the Research Institute of Theory and History of Fine Arts
Technological and Creative Aspects of the Computer Visualization of the Architectural Idea

Irina Perfilieva, Candidate of Art History, the Research Institute of Theory and History of Fine Arts
The Creative and Constructive in the 20th Century Jewelry Art
Lyudmila Limanskaya, Doctor of Art History, Prof., the Russian State University for the Humanities, Moscow; Dean of the Art History Department of I. Glazunov Russian Academy of Painting, Sculpture and Architecture
Affective Memory and Artistic Reality in the Theoretical Reflection of Postmodernism
Stepan Vaneyan, Doctor of Art History, Prof., Moscow State University
A Document as a Monument: History of the Notion
Vladimir Tolstoy, Doctor of Art History, Prof., Academician of the Russian Academy of Arts, Head of the Department of Monumental Art and Artistic
Problems of Architecture of the Research Institute of Theory and History of Fine Arts
A Document as a Basis for Art History Research
Alexander Yakimovich, Doctor of Art History, Academician of the Russian Academy of Arts, the Research Institute of Theory and History of Fine Arts
Victories and Defeats of the Empire in the Portraits by Velasquez
Elena Fedotova, Doctor of Art History, Head of the Foreign Art Department of the Research Institute of Theory and History of Fine Arts
The Verge of a Fact and Imagination in the Genre of Memoirs or “Ebdomeros” by Giorgio De Chirico
Irina Nikiforova, Head of the Department of the 19th-20th Century Art of Europe and America in A. Pushkin State Museum of Fine Arts, Moscow
Illustrated Poster – A Mirror of History, A Mirror of Life
Tatyana Kochemasova, Candidate of Art History, Corresponding Member of the Russian Academy of Arts , the Russian Academy of Arts, Moscow
The Progressive and Conservative in an Artwork. Artistic Paradigms of Modern Times
Anatoly Rykov, Doctor of Philosophy, Candidate of Art History, Associate Professor of St. Petersburg State University
About the Progressive and Conservative in Art
Natalya Goncharenko, postgraduate of I. Repin St. Petersburg, State Academy Institute of Painting, Sculpture and Architecture
The Artist – Observer and Artist-Transformer of the City: Approaches to the Depiction of the City Environment through Fine Arts and Means of Artistic Transfiguration of the City (1970-the 2000s)

2 pm – 3 pm – Coffee Break

3 pm – Afternoon Session: A Work of Art – an Evidence and Document of the Epoch Led by Rimma Baiburova, Candidate of Art History, Scientific Secretary of the Research Institute of Theory and History of Fine Arts (History Section); Irina Perfilieva, Candidate of Art History, the Research Institute of Theory and History of Fine Arts (the 20th Century Art Section)

• History Section:

Anna Ryndina, Doctor of Art History, Corresponding Member of the Russian Academy of Arts, Head of the Old Russian Art Department of the Research Institute of Theory and History of Fine Arts
Legend about the “Ignatia” Prison Icon of John, Prince of Uglich. A Reconstruction Attempt
Irina Buseva-Davydova, Doctor of Art History, the Research Institute of Theory and History of Fine Arts
Family Icons as Documents of the Epoch
Irina Zlotnikova, Expert of “Rosokhranculture”, “ART – Expert Examination”, Bryansk
Historical and Art Historical Studies. Exemplified in the Maria Poch Icon of the Mother of God of Vienna
Yulia Buzykina, postgraduate of the Moscow State University
Works of Old Russian Painting as a Historical Source: Some Topics of the 14th-16th Century Novgorod Icon Painting
Tatyana Malakhova, postgraduate of the Research Institute of Theory and History of Fine Arts
Aesthetic Foundations for Formation of the Ivory Carving Style of Byzantine Icons in the Time of Macedonian Renaissance Olga Hvoina, Candidate of Art History, Head of the Chair of Sound Direction of M. Litovchin Humanitarian Institute of TV and Broadcasting
“Do not Turn Me Down…” : the Fate of the Composer Maxim Berezovsky. Reality and Artistic Imagination
Andrey Ukhnalev, Candidate of Art History, the State Russian Museum, St. Petersburg
Architectural Projects as Documents of Stylistic Polyphony in the Architecture of St. Petersburg in the Time of Peter the Great
Evgeny Alexeev, Candidate of Art History, associate professor of A. M. Gorky Urals State University, Ekaterinburg
The World of Work with Fire. An Artist at the Urals Factories of the 18th – First Half of the 19th Century
Kirill Yakimov, Candidate of Art History, assistant to the Chair of Museology of A. Gorky Urals State University, Ekaterinburg
Geographical Maps and Engineering Drawings of the Urals of the 17th-18th Century as a Source for Art Historical Analysis
Olga Postnikova, PhD, Institut Fur Kunstgeschichte, Universitat Wien, Osterreich
“… in Order to Preserve in the Face of the Whole World the Semblance of Unity”: Two Paintings by Ferdinand Waldmuller (1839): Reminders of the Fidelity of Military and Political Allies of Russia and Austria
Svetlana Kazakova, postgraduate, Moscow State University
The “Trustworthy” and “Legendary” in the Imaginary Portrait in Russian Painting of the First Half of the 19th Century
Yury Kozak, artist-restorer, the State Research Institute of Restoration, Moscow
The Painting “Entrance of Count Paskevich in Tavriz” by Vladimir Mashkov as a Documentary Evidence of the Events of the Russian-Persian War of 1826-1828

• The 20th Century Art Section:

Lada Balashova, PhD, University of Essex, UK
Marc Quinn (the Sculpture of Alison Lapper): View on the Antiquity from the 21st Century
Elena Blinova, Candidate of Art History, associate professor of I. Repin State Academy Institute of Theory and History of Fine Arts
The Subjective Attitude and Objective Knowledge in the Evaluation of the Order Ensemble of St. Petersburg
Sergey Orlov, Candidate of Art History, the Research Institute of the Theory and History of Fine Arts
The Mythological Form of the Fact’s Interpretation: The Square of James Ensor and Giorgio De Chirico
Irina Fomicheva, Senior Scientific Worker of the Research Institute of Theory and History of Fine Arts
Neon Posters and French Painters of the First Half of the 20th Century: Fernand Leger, Henry Matisse
Tatyana Sedova, the Russian State University for the Humanities, Moscow
The Monument to Alexander III by Pavel Trubetskoy: Metamorphoses of Perception (On the Issue of the Image’s Interpretation)
Kseniya Gorbunova, postgraduate of the Russian Institute of Culturology Vasily Kandinsky About the Point as a Basic Drawing Form in Abstract Painting
Irina Zakharchenko, Candidate of History, Moscow University for the Humanities
A Square as a Space of Visual Experiments: Joseph Albers and Victor Vasarely
Anna Bantsekova, Candidate of Art History, Lvov National Art Gallery, Ukraine
The Real and Symbolic in Works by Jan Henrik Rozen
Nadezhda Morozova, A. Pushkin State Museum of Fine Arts, Moscow
The Formation of the Collection of African Graphic Art (the 1920s-1930s):Politics and Art (according to materials of the collection of A. Pushkin State Museum of Fine Arts)
Elena Milovzorova, Candidate of Culturology, Ministry of Culture of the Russian Federation, Moscow
The House-Studio of Konstantin Melnikov: An Outstanding Architectural Experiment or the Realization of “the Tormented Idea”
Tatyana Volodina, Senior Scientific Worker of the Research Institute of Theory and History of Fine Arts
About One Composition by Pavel Filonov in the Late 1920s. On the Issue of Interpretation
Galina Zagyanskaya, Candidate of Art History, Prof., B. Schukin Theatrical Institute
The Problem of Application of Notions of the Progressive and Conservative to Artistic Means of Expression

March 24, 2011

10.30 am–2 pm – Morning Session Led by Anna Ryndina, Doctor of Art History, Corresponding Member of the Russian Academy of Arts, Head of the Old Russian Art Department of the Research Institute of Theory and History of Fine Arts (History Section); Anna Bantsekova, Candidate of Art History, Scientific Worker of the Lvov National Art Gallery, Ukraine (the 20th Century Art Section)

• History Section: Nina Getashvili, Candidate of Art History, Prof., Head of the Chair of the General History of Art of I. Glazunov Russian Academy of Painting, Sculpture and Architecture, Moscow
“General Histories of Art” as a Document of the Epoch (P.P.Gnedich, A.A. Benois and others)
Leila Khasyanova, Candidate of Art History, Prof., Corresponding Member of the Russian Academy of Arts, Deputy Rector for Research Work of I. Glazunov Russian Academy of Painting, Sculpture and Architecture, Moscow
The Influence of Archaeological Discoveries in the Creative Work of G.I. Semiradsky Anna Kask, A. Pushkin Museum of Fine Arts, Moscow
The Depiction of War in the 19th Century Russian Magazine Graphic Art Anna Zavialova, Candidate of Art History, the Research Institute of Theory and History of Fine Arts
Alexander Benois and Paul I (the Historical and Personal)
Tatyana Lomanova, Candidate of Art History, Associate Professor, the Krasnoyarsk State Art Institute, Krasnoyarsk
The Documentary and Artistic in Works by Vasily Surikov
Natalia Bartels, Senior Scientific Worker of the Research Institute of Theory and History of Fine Arts
Seraphimo-Ponetayevskaya Icon of the Mother of God: Two Versions Against the Background of the Turn of Historical Ages
Lyudmila Budrina, Candidate of Art History, Associate Professor, A. M. Gorky Urals State University, Senior Scientific Worker of the History Museum of Stone Cutting Art and Jewelry, Ekaterinburg
Political Poster in the Stone Cutting Art of the 1910s
Nina Petukhova, Candidate of Art History, St. Petersburg Research and Design Institute for Restoration of Monuments of History and Culture
The Formation of the Architectural and Artistic Ensemble of the Vologda – Arkhangelsk Railway
Ekaterina Bortsova, Kharkov Art Museum, Ukraine
Book Graphic Works by N.S. Samokish as a Mirror of the Epoch Vera Glazunova, I. Glazunov Russian Academy of Painting, Sculpture and Architecture, Moscow
Marina Shatkovskaya, Candidate of Technical Science, the Syktyvkar State University; Svetlana Kholopova, postgraduate of St. Petersburg State University of Technology and Design
Ornament as an Element of Artistic Expression of the Décor of Traditional Female Shirts
Svetlana Batyreva, Candidate of Art History, Associate Professor, the Kalmykia Institute for the Humanities of the Russian Academy of Sciences, Director of the Museum of Traditional Culture, Elista
Mythological and Poetic Model of the World: Ecological Aspect in the Iconography of the Northern Buddhism

• The 20th Century Art Section:

Alexey Stepanov, Doctor of History, Institute of Russian History of the Russian Academy of Sciences, Moscow
Cinematograph as a Source. Historical Processes in the 20th Century and Their Representation in the World Cinema

Tatyana Malova, Candidate of Art History, the Research Institute of Theory and History of Fine Arts
The Image of Time: Vanitas in Neo-Romantic Painting of the 1910s-1930s
Rauza Sultanova, G. Ibragimov Institute of Language, Literature and Art, Kazan, the Republic of Tatarstan
Set Design by M. Abdullin from the Point of View of the Ideology of the 1930s
Olga Galkova, Candidate of History, Associate Professor; Olga Savitskaya, Candidate of History, the Volgograd State Teachers’ Training University; Olga Malkova, Candidate of History, I. Mashkov Volgograd Museum of Fine Arts
Utopia and Reality in the Art of Ilya Mashkov in the First Half of the 1930s
Maria Silina, postgraduate of the Research Institute of Theory and History of Fine Arts, Moscow
Drama Theatre in Rostov-on- the Don: Between the Image and Symbol
Marina Terekhovich, “Architecture, Construction, Design” Magazine
Sports Parades in the 1930s-1940s. According to the archive materials of the Ladur family of artists Margarita Ermisheva, Candidate of Art History, M. Litovchin
Humanitarian Institute of TV and Broadcasting, Moscow
Sound as a Method of the Image’s Interpretation in a Movie: Leni Riefenstahl’s “Triumph of the Will” and Mikhail Romm’s “Common Fascism”
Tatyana Malinina, Doctor of Art History, Prof., the Research Institute of Theory and History of Fine Arts
On the Issue of the Methods of Study of the Art of World War II
Elena Ogarkova, Candidate of History, Associate Professor, the Volgograd State Technical University, Volgograd
The Artistic Representation of a Historical Event as a Phenomenon of Science and Art (according to the drawings of participants in the Battle of Stalingrad)
Anna Shimelevich, Candidate of Art History, Associate Professor, the Belarus State Academy of Arts, Minsk, the Republic of Belarus
The Historical Truth, Image, Myth: the Topic of the Great Patriotic War 1941-1945 in the Belarus Painting
Vera Rytikova, State Museum of City Sculpture, St. Petersburg
The Problem of an Artistic Image in the Soviet Monumental Sculpture in the 1940s-1950s (according to materials of competitions for the best design of Leningrad monuments)
Irina Belintseva, Candidate of Art History, the Research Institute of Theory and History of Fine Arts, Moscow
The Architecture of Kaliningrad as a Chronicle of the City’s and Region’s History

2 pm – 3 pm – Coffee Break

3 pm – Afternoon Session
Led by Svetlana Batyreva, Candidate of Art History, Associate Professor, the Kalmykia Institute for the Humanities of the Russian Academy of Sciences, Director of the Museum of the Traditional Culture, Elista

• History Section:

Rimma Baiburova, Candidate of Art History, Scientific Secretary of the Research Institute of Theory and History of Fine Arts, Moscow
Images of Achaemenid Monuments of Architecture as a Derivative of Their Creators’ Ideas of the Surrounding World, Their Place and Role in It Ilya Putyatin, Candidate of Architecture, Associate Professor; Anastasia Egorova, Moscow Institute of Architecture
The Artistic Images of Chronos and Kaerus as a Personification of the Linguistic Conceptual Metaphor of the Time. The Experience of Interdisciplinary Research
Liudmila Freivert, Candidate of Philosophy, Associate Professor, the Moscow State University for Technologies and Management
Archetype and Ideal Type in the Artistic Form Building
Anna Ragulina, A. Pushkin State Museum of Fine Arts, Moscow
Uvarovsky Sarcophagus in the Collection of A. Pushkin State Museum of Fine Arts: Outstanding Properties and Mystery of Origin
Yulia Arutyunyan, Candidate of Art History, Associate Professor, I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Romanesque Capitals in Conca as a Document of Religious History
Elena Khripkova, the Russian State University for the Humanities
Iconographic Program of the 12th Century Basilica of Saint Denis as an Evidence of the Spiritual Life of the Age
Marina Peeven, the Research Institute of Theory and History of Fine Arts, Moscow
Wedding Festivities in the Painting of Italian Chests in the Renaissance: Historical Features and Ideal Images
Andrey Egorov, Moscow Museum of Modern Art
The Dynastic Row on the Façade of the Town Hall in the Old City in Braunshveig: Collective Image of the Authorities and Dramatization of History Maria Vlasova, postgraduate of the Research Institute of Theory and History of Fine Arts, Moscow
Miniatures of Tabriz as One of the Illustrations of the Cultural Policy of the Iranian Sefevid Dynasty in the First Half of the 16th Century
Nina Dyachkova, Moscow Museum of Modern Art
The Spanish Bodegon as a Document of the Epoch
Andrey Gamlitsky, the Research Institute of Theory and History of Fine Arts, Moscow
“The Spirit of Time” in the Ouvrages on the Biblical Topic (XVI-XVII)
Anastasia Brintseva, postgraduate of the Research Institute of Theory and History of Fine Arts, Moscow
The French Conquest of Algeria on the Canvases by Horace Vernet

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