Conference “Young Art Historians” in the Russian Academy of Arts

     On September 26, 2007 the Russian Academy of Arts, its Research Institute of Theory and History of Fine Arts held a research conference “Young Art Historians”.  Reports were given by the Research Institute post-graduates. 

                                     Program of the Conference
10.00 a.m.
Dmitri Karelin - Types of Roman fortifications in Egypt.
Ekaterina Orlova – Spanish sanctuary painting of the 14-15th centuries by the example of the cathedral in Barcelona.
Marina Shalonina – Contents of the manuscript by S. Mokhovikov.
Irina Zlotnikova – Miracle-working icons of Bryansk region. Problems of iconography.    
George Lataria – Murals of the church of  Simeon in Great Ustyug.
Natalia Sorokina – “Venetian  Architect” by G. Piranezie.
Tatyana Tyutvinova – London engraving workshops in the time of George III.
Evgenia Khaet – Vienna and the “Big City” by Otto Vagner.
Lucine Oganesyan – Creative work by the Italian artist Adrian Chechoni.
Tatyana Ignatova – History of the Moscow community of Old Believers. An attempt to create a new chapel in Bratski courtyard in the 1880s.  
 Eugene Lukyanov – The “Sazikov” company and masters of Russian art.

02.00 p.m.
Sofia Chapkina -  National themes in the Russian picture postcard of modernist style.
Tatyana Doronina – Three forgotten sculptures by Eugene Lancere.
Michael Vilkin – Types of icon framework of the Russian style.  
Olga Yartseva -  Jackson Pollock and Mexican mural painting in the 1920-1940s. 
Alexander Panchenko -  The impact of metaphysical painting of George de Kiriko on the art of  Rene Magritte.
Tatyana Malova – The shaping of space in OSTart.
Boris Ioganson – The policy of the USSR authorities in the field of fine arts in the 1950s.
Olga Maryanovskaya – Sculptor Vladimir Tsygal
Yulia Lebedeva – Artist of the “New Wave” in Moscow: George Liticheski and George Ostretsov.
Aidyn Zeinalov – Islam and mosques in modern Azerbaijan.
Tatyana Shumova – The role of an artist in the puppet theatre.






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