The Russian Academy Of ArtsThe Russian Academy Of Arts
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THE REGIONAL ART TRADITIONS: ORIGINS, TRANSFORMATIONS, PROSPECTS OF DEVELOPMENT: RESEARCH CONFERENCE AT THE RUSSIAN ACADEMY OF ARTS
The Research Institute of Theory and History of Fine Arts and the Department of Art History and Art Criticism of the Russian Academy of Arts invite you to take part in the research conference “The Regional Art Traditions: Origins, Transformations, Prospects of Development”, that will take place in the White Hall of the Russian Academy of Arts (21 Prechistenka street, Moscow) on October 18-20, 2023.
THE CONFERENCE PROGRAM
October 18, 2023
Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow
11.00-11.30 - Opening of the Conference
11.30 – 14.30 – Morning Session
Russian Art Section
Elena D. Fedotova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
ON PRESERVATION OF THE REGIONAL TRADITIONS
Maina P. Chebodaeva, the Khakass Research Institute of the Language, Literature and History, Abakan Khakassia
THE ARTIST DMITRY KARATANOV – THE EXTERNAL STUDENT OF THE IMPERIAL ACADEMY OF ARTS (1892-1896)
Natalia V. Rychkova, Moscow Institute of Culture, Moscow
THE KEEPERS OF TRADITIONS. ON THE ISSUE OF PRESERVATION OF BALAKHNA LACE
Firdaus G. Vagapova, Kazan Federal University, Kazan
THE REFLECTION OF TRADITIONAL AND NEW STYLES IN THE DESIGN OF TITLE PAGES OF THE TATAR SATIRICAL MAGAZINES “YASHEN” AND “YALT-YULT” PUBLISHED IN KAZAN IN THE EARLY 20TH CENTURY
Anna A. Savkina, St. Petersburg State Museum-Institute of the Roerich Family, St. Petersburg
THE SOUL OF THE NATIONS: THE SYNTHESIS OF NATIONAL ART TRADITIONS IN THE PAINTING OF NICKOLAI ROERICH
Svetlana S. Levoshko, St. Petersburg State Architecture and Construction University, St. Petersburg
THE PHENOMENON OF THE NATIONAL AND ROMANTIC TRADITION OF KARELIA IN THE ARCHITECTURE OF GATEWAY VILLAGES OF THE WHITE SEA–BALTIC CANAL OF THE EARLY 1930S
Tatyana A. Rymshina, Institute in Business and Design, Moscow
THE ACTIVITY OF THE OREL UNION OF ARTISTS IN THE FORMATION OF THE ARTISTIC, CULTURAL AND EDUCATIONAL ENVIRONMENT OF THE REGION
15.00-15.30 - Coffee break
15.30-18.00 – Afternoon Session
Sergey V. Ivanov, independent researcher, Moscow
URGENT PICTORIAL PROBLEMS IN THE PAINTING OF THE LENINGRAD SCHOOL OF THE AFTERWAR DECADES
Svetlana S. Ershova, the State Russian Museum, St. Petersburg
THE CREATIVE WORK BY ALEXANDER L. KOROLEV (1922-1988) AND HIS ROLE IN THE DEVELOPMENT OF THE LENINGRAD SCHOOL OF MONUMENTAL PAINTING IN THE 1950s – 1980s
Svetlana M. Gracheva, I. Repin St. Petersburg Academy of Arts, St. Petersburg
THE ACADEMIC ART IN THE CONTEXT OF PETERSBURG SCHOOL OF PAINTING OF THE 21ST CENTURY
Maria V. Marina, Ivan Kramskoy Voronezh Regional Art Museum, Voronezh
THE ART LIFE OF VORONEZH THROUGH THE PRISM OF THE COLLECTION OF IVAN KRAMSKOY VORONEZH REGIONAL ART MUSEUM
Larisa Y. Nikolaeva, Eastern-Siberian State Institute of Culture, Ulan-Ude
“BURYAT ZURAG” (BURYAT NATIONALPAINTING): SCHOOL, STYLE, STYLIZATION
Lidiya V. Dadyko, V. Surikov Krasnoyarsk Art Museum
THE KRASNOYARSK SCHOOL OF PAINTING: ORIGINS AND TRADITIONS
Nadezhda V. Sukhorukova, the State Art Museum, Khanty-Mansiysk
THE IMAGE OF THE WORLD IN THE FORMATION OF THE YUGRA ARTISTIC TRADITION
Oleg Y. Latyshev-Maisky, M.D. Shapovalenko International Mariinsky Academy, Moscow
THE INFLUENCE OF ITALIAN ARCHITECTURAL TRADITIONS IN THE WORK BY PIETRO ANTONIO SOLARI ON THE FORMATION OF THE IMAGE OF THE MOSCOW KREMLIN
Victor I. Denisenko, the Kuban State University, Krasnodar
THE TRAVELING ART EXHIBITION AND MASTER CLASSES ARE AN EFFIECIENT FORM OF THE SPIRITUAL AND MORAL EDUCATION AND PROFESSIONAL ORIENTATION FOR THE YOUTH OF THE REGION
October 19, 2023
Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow
11.00-14.30 – Morning Session
THE SECTION OF YOUNG ARTISTS
Olga S. Chelbogasheva, I.Repin St. Petersburg Academy of Arts
THE IMAGE OF THE GODDESS NUT IN THE FUNERARY ART OF THE ANCIENT EGYPT OF THE EPOCH OF THE NEW KINGDOM: THE PROBLEM OF THE VISUAL INTERPRETATION
Irina A. Prigarina, St. Petersburg State University, St. Petersburg
THE REINTERPRETATION OF THE BUDDHIST MOTIFS IN THE WORK OF ZHANG HUAN
Liu Shu-hsien (China), Vladivostok State University, Vladivostok
THE HISTORY AND SPECIFIC FEATURES OF THE WATERCOLOR ART IN CHINA IN THE 20TH CENTURY
Polina S. Lyubimova, the State Hermitage, St. Petersburg
IKAT AND PUN. ADVENTURES OF THE RUSSIAN PORCELAIN IN THE EAST
Evgenia V. Sokolova, St. Petersburg University of Industrial Technologies and Design, St. Petersburg
THE HEADWEAR OF THE NIZHNI NOVGOROD PROVINCE IN THE COLLECTION OF N.L. SHABELSKAYA
Elena D. Repina, I.Repin St. PetersburgAcademy of Arts, St. Petersburg
NOSTALGIA IN THE CONTEXT OF THE DEVELOPMENT OF ST. PETERSBURG IMAGE IN THE PAINTING OF ARTISTS OF THE TURN OF THE 20TH – 21ST CENTURIES. THE TRADITIONS AND INNOVATIONS
Alexey B. Popov, N. Alfyorov Urals State University for Architecture and Arts, Ekaterinburg
THE SPECIFIC FEATURES OF THE URALS JEWELRY SCHOOL
Yuliana A. Vertinskaya, S. Stroganov Russian State University for Arts and Industry, Moscow
THE REFLECTION OF THE VENETIAN ART CULTURE IN MOSCOW AND ST. PETERSURG. THE ORIGINS AND TRANSFORMATION
15.00 - 18.00 – Afternoon Session
Anna A. Melnikova, The Research University - The Higher School of Economics, Moscow
THE PROBLEM OF SELECTION OF ICONOGRAPHIC SCHEMES IN THE BESTIARIES OF ABBEYS OF THE PATRIARCHY OF PASSAU (12 – 14 CENTURIES)
Praskovya I. Morozova, A. Bakhrushin State Central Theater Museum, Moscow
REGIONAL PECULIARITIES IN THE UNIQUE MONUMENTS OF THE FRENCH GOTHICS OF THE 16TH – 17TH CENTURIES
Elena V. Matveeva, independent researcher, Moscow
THE FORMAL STYLISTIC AND ICONOGRAPHIC PECULIARITIES AND EVOLUTION OF THE LUCCAN SCHOOL OF PAINTING ON THE EXAMPLE OF THE PICTORIAL CRUCIFIXIES OF THE BOTTEGA OF BERLINGIERI
Olga V. Myuller, independent researcher, St. Petersburg
ON THE INFLUENCE OF THE MONUMENTS OF PETERSBURG NEOBAROQUE ON THE INTERIOR DECORATION OF THE RESIDENCIES OF THE GERMAN KINGDOM OF WURTTEMBERG
Artyom A. Tumasov, the State Hermitage, St. Petersburg
THE ARTISTIC ENNENGEBY COLONY ON THE ALAND ISLANDS – THE DISTINGUISHED PAGE IN THE HISTORY OF THE FINNISH NATIONAL ART SCHOOL AT THE TURN OF THE 19TH – 20TH CENTIRIES
Miroslava Montsmanova (Slovakia), Patrice Lumumba Russian University of Friendship of Peoples, Moscow
THE SLOVAC ARTICULAR CHURCH - THE PAST AND FUTURE
Ulyana L. Bulannikova, independent researcher, Moscow
TRADITIONS AND INNOVATIONS IN ILLUSTRATIONS BY VENTURINO VENTURY TO THE DEVINE COMEDY BY DANTE
October 20, 2023
Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow
11.00 – 14.30 – Morning Session
THE SECTION OF FOREIGN ART
Olga E. Ettinhof, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
THE MOSAICS OF THE BASILIKA OF THE NATIVITY IN BETHLEHEM. THE ART OF CRUSEDORS IN THE HOLY LAND
Tatyana Kh. Starodub, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
THE REGIONAL STYLISTIC DIFFERENCES IN MINIATURES OF THE MEDIEVAL ARAB MANUSCRIPTS
Svetlana I. Kozlova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
THE APPEARANCE OF THE RENAISSANCE IN FERRARA IN QUATTROCENTO AND THE FERRARA SCHOOL OF SECOND HALF OF THE 15TH CENTURY
Olga K. Pichugina, N. Alferov Urals State University for Architecture and Arts, Ekaterinburg
LEONARDO DA VINCI AND THE TRADITION OF MILANESE PAINTING IN THE TURN OF THE 15TH – 16TH CENTURIES
Nadezhda M. Sim, “Progress-Tradition” Publishing House, Moscow
CASTILE, ANDALUCIA, ARAGON. THE REGIONAL VARIATIONS OF THE PLATERESCO STYLE IN THE ARCHITECTURE OF THE SPANISH RENAISSANCE
Yulia I. Arutyunian, I.Repin St. Petersburg Academy of Arts, St. Petersburg
THE PHENOMENON OF THE “GRAPHIC TRAVELOGUE” IN THE 17TH CENTURY ART
Elena D. Fedotova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
DELACROIX AND BODLER ABOUT THE ECLECTICISM
15.00-18.00 – Afternoon Session
Anastasia Y. Koroleva, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
BERLIN IS A MECCA OF THE GERMAN AVANT-GARDE. THE FINE ARTS IN THE CONTEXT OF THE CAPITAL’S ART LIFE IN THE FIRST THIRD OF THE 20TH CENTURY
Irina V. Belintseva, Research Institute of Theory and History of Architecture and City Planning , Moscow
RUSSIAN MOTIFS IN THE BUILDINGS OF THE ARCHITECT MARIAN LYALEVICH (1876-1944) ON THE POLISH TERRITORY
Elena V. Igumnova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
ST. IVES SCHOOL IN THE BRITISH ART
Marina A. Neglinskaya, Institute of Oriental Studies, Moscow
THE SUBJECT GENRE IN THE CHINESE PAINTING OF THE 20TH CENTURY: DEVELOPMENT TRENDS
Olga V. Nefedova, Research Institute – the Higher School of Economics, Moscow
ARAB ARTISTS – GRADUATES OF THE USSR HIGHER ART EDUCATIONAL INSTITUTES IN 1959-1979: GRADUATION WORKS AS A SINTHESYS OF THE NATIONAL AND INDIVIDUAL
Evgenia V. Orlova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
“THE SPIRIT OF THE TIME” OF THE 1980s – EARLY 2000s: THE FRENCH AND GERMAN ART THEORY AND PRACTICE
Detailed image: Array
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On May 27, 2023 passed away one of the founders of the Moscow conceptualism, graphic artist, author of public art projects and installations, Honorary Foreign Member of the Russian Academy of Arts Ilya Kabakov.
The President of the Russian Academy of Arts Zurab Tsereteli has expressed his condolences:
“It has been with deep sorrow, that the Russian Academy of Arts learnt about the death of the world renowned artist, Honorary Member of the Russian Academy of Arts Ilya Kabakov (1933 -2023). The man-philosopher, one of the most famous contemporary Russian artists he looked for his way in art on his own working in difficult conditions for a creative person. Ilya Kabakov finished the Leningrad Art School and after the War graduated from V. Surikov Moscow Art Institute. He was engaged in the book design and illustration of children’s magazines. Despite the difficult circumstances he found his own art style, explored the immaterial world, became an author of conceptual artworks, created the new genre of the “total installation” combining various types of art, authored several books. After his immigration in 1988, he was given possibilities for exhibiting his works in the United States and Europe, in Japan and other countries. In 2018, the major retrospectives of his works took place in the Hermitage (St. Petersburg) and the Tretyakov Gallery (Moscow). The winner of many professional awards, the holder of the Russian Academy of Arts’ “Oder for Services to Art” and the “Medal for Services to the Academy”, experimenter and symbolist, he has enjoyed great authority among artists and love of the viewers.
This is a big loss for Russian and world art. On behalf of the Presidium of the Russian Academy of Arts I express our deep condolences to Emilia Kabakova, his family, friends and near ones”.
Zurab Tsereteli, President of the Russian Academy of Arts
Detailed image: Array
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