The Russian Academy Of Arts

PROBLEMS OF FOREIGN ART DEVELOPMENT. FRANCE: Research Conference in Memory of Michael Dobroklonsky

Organizers:
The Russian Academy of Arts I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, Department of Theory and History of Arts

Venue: I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, 17 University Embankment, St. Petersburg

Organizing Committee:
- Chairman - N.M. Lenyashina, Prof., Head of the Foreign Art Department - E.V. Kalimova, teacher of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
- N.V. Voronina, teacher of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture

CONFERENCE PROGRAM

April 20, 2010

11.00 – Morning Session

Opening speech:
- Y.G. Bobrov, Prof., Deputy Rector for Research Work of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, Corresponding Member of the Russian Academy of Arts
- V.I. Razdolskaya, Prof., Honored Art Worker

A.E. Petrakova, Candidate of Art History, associate professor of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Art History in France and the Study of Antique Painting on Vases in the 20th – 21st Century

I.V. Arsentyeva, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Tibetan Hagiographic Icon in the Collection of Guimet Museum

A.N. Donin, Doctor of Art History
P. Vass About the Art of the Danube School

S.V. Sorokina, applicant, I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Portal of the Church of Santa Maria la Real in Sanguesa. Sculptural Schools of the Roman Style in Spain and France in the area of the Pyrenees

I.E. Kulimeneva, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
A Series of Limoges Enamels of the Middle and the Second Half of the 16th century to the Text of the Lord’s Prayer

14.00 – Afternoon Session

S.N. Klapina, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Sculptural Complex Via Crucis in Lourdes and Reliefs of the Church of Our Lady of Lourdes in St. Petersburg

Y.N. Belova, Candidate of Art History
Illustrations in the Textbook on War by N. Guerard

Y.I. Arutyunyan, Candidate of Art History
Face-Grimace-Mask. The Role of Grotesque in the European Sculpture from Romanticism till Baroque

A.N. Tarasov, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Brazilian Baroque Painting in the Context of the French Tradition. Manuel da Costa Ataida

A.B. Bolotova, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Grotto of Thetis at Versailles – a Supposed Image of the Grotto in the Summer Garden of Peter I

April 21, 2010

11.00 – Morning Session

O.E. Rusinova, Candidate of Art History
Creative Biography of Etienne Maurice Falconet: Comments to the History of the Soviet Art History

A.A. Bezgubova, postgraduate student of the Russian Institute of the History of Arts
Two Faces of Russia in Graphic Works by the French Travellers in the First Half of the 19th Century (M.F. Damame-Demartrais, L. Buckhorn, O. Cadolle, A. Desarnod)

N.K. Mailer, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
The Influence of the French Theory of Architecture on the Russian Architecture of the First Half of the 19th Century Exemplified in the Work of Leo von Klenze

S.V. Alexeeva, postgraduate of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Physiology in the French and Russian Satiric Graphic Works in the 1840s-1860s

M.A. Chernysheva, Candidate of Art Historicism out of Historical Genre.
Three Examples from the French Painting of the 1870s

K.A. Belous, postgraduate student of I. Repin St. Petersburg State Academy Institute pf Painting, Sculpture and Architecture
Architectural Reconstruction of the Paris Center in the Middle and the Second Half of the 19th Century

14.00 – Afternoon Session

E. Melnikova, postgraduate student of I. Repin St. Petersburg Academy Institute of Painting, Sculpture and Architecture
Marie Casset in the Impressionists’ Shows in Paris

Y.A. Barkova, applicant, I.Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
The Phenomenon of Paul Cezanne in Paul Gogen’s Work in 1884-1889. On the Issue of the Creation of an Author’s Still Life Concept

M.Y. Pavlov, applicant, I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Plastic Sketches of Edgar Degas. Problems of Study

N.V. Voronina, teacher of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Intercross Quoting in the Works by French Artists in the Late 19th – Early 20th Century

M. Logvinenko, applicant, I. Repin St. Petersburg, State Academy Institute of Painting, Sculpture and Architecture
E.A. Bourdelle’s Sculptural Class at the Grand Chomier Academy in Paris. Pupils from Russia

D.V. Lyubin, Candidate of Art History, Head of a Department in the State Hermitage
French Art of the Late 19th Century in the German Empire. Aspects of Art Life in Germany at the Turn of the 20th Century

April 22, 2010

11.00 – Morning Session

O.V. Kalughina, Candidate of Art History, Moscow
The French School in the Fate of Russian Sculptors at the Turn of the 20th Century

M.A. Busev, Candidate of Art History, Corresponding Member of the Russian Academy of Arts
Pablo Picasso - Sculptor

O.O. Pavlova, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Paris-Barcelona: French Artists in Barcelona in 1914-1918

A.Y. Buivid, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Art Décor Painting of the 1930s in the Collection of the Musee des Arts Decoratifs in Paris

N.A. Leontyeva, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Female Images in Works by Leonard Foujita. On the Issue of Neo-Salon in the French School Painting

G. Geraldo, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Paris Period in the Work of Candido Portinari

14.00 – Afternoon Session

N.A. Burnina, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
The Window Motif in Paintings by Henry Matisse

I.V. Lebedeva, research worker of the State Institute of Art History, Moscow
Pieter Mondrian and Artists of the Paris School of the 1910s-1920s

K.V. Orlova, research worker of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Spanish Artists in Paris

T.M. Golovleva, postgraduate student of I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture
Works of Russian Novelists in the Staging by Andre Barsacq

O.V. Gavrikov, postgraduate student of I. Repin St. Petersburg, State Academy Institute of Painting, Sculpture and Architecture
Studio of Brynkush and L’atelier Brancusi – From an Art Object to Proceedings

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