The Russian Academy Of ArtsThe Russian Academy Of Arts| 02.06.2021 - |
The Russian Ministry of Culture, the Russian Academy of Arts (RAA), the Department of Art History and Art Criticism of the RAA, the Research Institute of Theory and History of Fine Arts of the RAA and Moscow Department of the Artists’ Union of Russia invite you to attend the International Research Conference “The Creative Legacy of Fyodor Dostoevsky in Fine Arts. In Honor of the Novelist’s 200th Birth Anniversary”, that will take place in the White Hall of the Russian Academy of Arts (21 Prechistenka street, Moscow) on June 2, 2021at 10.30 am.
Within the Conference framework, from May 25 to June 11, 2021on display in the Exhibition Hall of the Moscow Department of the Artists’ Union of Russia (7 Begovaya street, Moscow) there will be illustrations to Fyodor Dostoevsky’s books. The Conference is being held in the year of Dostoevsky’s 200th birth anniversary, which celebration on the initiative of Russia was supported by international community under the auspices of UNESCO. The Conference is aimed at discussing fundamental problems related to the perception of Fyodor Dostoevsky’s legacy in today’s world, his impact on artists, as well as problems and poetry of artworks interpreting his literary works.
The Conference Organizing Committee:
Chairman – Zurab Tsereteli, President of the Russian Academy of Arts;
Co-Chairman – Dmitry Shvidkovsky, Vice-President of the Russian Academy of Arts;
Members of the Organizing Committee:
Elena Romanova, Academician of the Russian Academy of Arts;
Natalia Anikina, Academician of the Russian Academy of Arts.
THE CONFERENCE PROGRAM
June 02, 2021 - Wednesday
Venue: the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow)
10.30 – 14.00 – Morning Session
Moderator: Anastasia Gacheva, Doctor of Philosophy, Leading Researcher of A. Gorky Institute of World Literature of the Russian Academy of Sciences
Opening addresses:
-Dmitry Shvidkovsky, Academician-Secretary of the Department of Art History and Art Criticism of the RAA, Doctor of Art History, Professor;
-Victor Kalinin, the First Vice-President of the RAA, Honored Artist of Russia;
-Andrey Zolotov, Vice-President of the RAA
Fyodor Dostoevsky as an Art Personality
Anastasia Gacheva, Doctor of Philosophy, Leading Researcher of A. Gorky Institute of World Culture, Head of the Department for Museum and Excursion Activity of N. Fyodorov Library N180 (Moscow)
AESTHETICS OF FYODOR DOSTOEVSKYIN THE CONTEXT OF RUSSIAN RELIGIOUS AND PHOLOSOPHIC IDEA OF THE LATE XIX – EARLY XX-TH CENTURIES
Tatyana Kasatkina, Doctor of Philology, Chairman of the Commission for Study of Fyodor Dostoevsky’s Creative Legacy, Scientific Council “History of World Culture” of the Russian Academy of Sciences (RAS), Head of the Research Center “F.M. Dostoevsky and World Culture of A. Gorky Institute of World Culture (Moscow)
THE WAY FYODOR DOSTOEVSKY BUILDS A CHARACTER AND WHAT THE NOVELIST LEARNT FROM EUROPEAN ARTISTS
Ada Safarova, PhD in Art History, Chief Editor of the “Decorative Art” magazine, Corresponding Member of the Russian Academy of Arts (Moscow)
ON THE HISTORY OF ILLUSTRATING WORKS BY FYODOR DOSTOEVSKY
Mikhail Verkholantsev, Honored Artist of Russia, Academician of the RAA, Member of the Moscow Union of Artists, Artists’ Union of Russia (Moscow)
UNDERLYING SURREEALISM OF F.M. DOSTOEVSKY’S CHARACTERS
Vitaly Patsyukov, Head of the Department of Artistic and Interdisciplinary Programs of the State Center of Modern Art, curator, Advisor to the Director of A. Pushkin State Museum of Fine Arts, Corresponding Member of the RAA (Moscow)
DOSTOYEVSKY AND EINSTEIN: NON-EUCLIDEAN GEOMETRY AS A VISUAL AND SEMANTIC ART SYSTEM
Elena Borovskaya, Doctor of Art History, Professor of the Russian Art Chair of I. Repin St. Petersburg Academy of Arts (St. Petersburg)
F. DOSTOEVSKY AND M. DOBUZHINSKY. IMAGES OF ST. PETERSBURG
Ksenia Podlipentseva, Master’s degree student of I. Repin St. Petersburg Academy of Arts, the 1-st Rank Specialist of the Committee for Youth Policy and Relations with Public Organizations (St. Petersburg)
ST.PETERSBURG METAPHYSICAL SPACE OF FYODOR DOSTOYEVSKY IN GRAPHIC WORKS BY VICTOR VILNER
Ekaterina Skorobogacheva, Doctor of Art History, Professor of the World History of Arts Chair of I. Glazunov Russian Academy of Painting, Sculpture and Architecture (Moscow)
THE EVOLUTION OF THE PERCEPTION OF FYODOR DOSTOEVSKY’S CHARACTERS IN THE PHILOSOPHY OF ILYA GLAZUNOV’S WORK
Sergey Orlov, PhD in Art History, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Corresponding Member of the RAA (Moscow)
THE IMAGE OF FYODOR DOSTOYEVSKY IN THE XX-TH CENTURY SCULPTURE
Natalia Baranova, Postgraduate of the Department of Theory and History of Arts of V. Surikov Moscow State Art Institute under the RAA (Moscow)
SCULPTURAL MONUMENTS TO FYODOR DOSTOYEVSKY IN RUSSIA AND OTHER COUNTRIES CREATED BY MOSCOW SCULPTORS AT THE TURN OF THE XX-XXI-TH CENTURIES
Lilia Tsibizova, PhD in Philosophy, Associate Professor of the Chair for History and Philosophy, S. Gerasimov All-Russian State Institute of Cinematography (Moscow)
A.SOKUROV FILM “PETERSBURG DIARY. UNVEILING OF THE MONUMENT TO DOSTOEVSKY: THE CITY’S METAPHYSICS
14.00 - 14.30 – Afternoon Session
Moderator: E. N. Ryzhkina, art historian, Acting Dean of the Design Department of S. Stroganov Moscow State Academy of Arts and Industry
Mickhail Seslavinsky, PhD in History, Academician of the Russian Academy of Arts
WORKS BY F.M. DOSTOEVSKY IN THE ILLUSTRATIONS OF RUSSIAN ARTISTS-IMMIGRANTS IN FRANCE
Lola Zvonareva, Doctor of History, Professor of the Institute of World Civilizations, Academician of Russian Academy of Natural Sciences and Peter’s Academy of Sciences and Arts (Moscow)
GRAPHIC SUITE OF ALEXANDER ALEXEEV TO “THE KARAMAZOV BROTHERS”: THE AESTHETIC SHOCK
Dmitry Fomin, PhD in History, Leading Researcher of the Research Institute of Theory and History of Fine Arts of the RAA and Russian State Library (Moscow)
THE KARAMAZOV BROTHERS NOVEL IN THE ILLUSTRATIONS OF ARTISTS OF THE RUSSIAN IMMIGRATION AT THE TURN OF 1920-1930s (V.N. Masyutin, A.A. Alexeev, B.D. Grigoriev)
Lidia Kudryavtseva, art historian, art critic, member of the Moscow Union of Artists (Moscow)
THE MAN IN THE MIRROR AND AT THE ROULETTE TABLE: ILLUSTRATIONS OF A. ALEXEEV TO THE “NOTES FROM THE UNDERGROUND” AND “GAMBLER” BY F.M. DOSTOEVSKY
Pavel Revenkov, postgraduate of S. Stroganov Moscow State Academy of Arts and Industry
ARTISTIC INTERPRETATIONS OF F. DOSTOEVSKY’S NOVEL “CRIME AND PUNISHMENT” IN THE ILLUSTRATIONS OF RUSSIAN AND INTERNATIONAL ARTISTS
Anna Chudetskaya, PhD in Art History, Associate Professor of the Russian State Institute for the Humanities Leading Researcher of the Private Collections Department of A. Pushkin State Museum of Fine Arts (Moscow)
THE MERCILESS DIALIGUE”: ILLUSTRATIONS OF ERNST NEIZVESTNY TO F. DOSTOEVSKY’S NOVEL “CRIME AND PUNISHMENT”
Yury Markin, Doctor of Art History, Chief Researcher of the Research Institute of Theory and History of Fine Arts of the RAA (Moscow)
ILLUSTRATIONS OF THE ARTIST VICTOR KHRUSLOV TO F. DOSTOEVSKY’S NOVEL “IDIOT”
Elena Dergileva, artist, Corresponding Member of the RAA, Member of the Moscow Union of Artists and the Artists’ Union of Russia (Moscow);
Evdokia Dergileva, PhD in Art History, Associate Professor, A. Kosygin Russian State University
CREATIVE SEARCHES OF THE ARTIST ALYONA DERGILEVA IN THE PROCESS OF WORKING AT THE CHARACTERS OF F. DOSTOEVSKY’S NOVEL “IDIOT”
Elizaveta Ryzhkina, art historian, Acting Dean of the Design Department of S. Stroganov Moscow State Academy of Arts and Industry (Moscow)
Alexander Ryzhkin, Associate Professor of the Chair for Academic Drawing of S. Stroganov Moscow State Academy of Arts and Industry (Moscow)
DRAWINGS OF V.N. GORYAEV TO F. DOSTOEVSKY’S NOVEL “IDIOT”. THE CONCEPT OF PHILOSOPHIC GRAPHIC UNDERSTANDING OF THE BOOK
Natalia Anikina, art historian, Honored Worker of Arts of the RF, Academician of the RAA, President of the Non-profitable Foundation “Goryaev Museum” (Moscow)
VITALY GORYAEV’S CYCLE OF ILLUSTRATIONS TO F. DOSTOEVSKY’S NOVEL “TEENAGER” - THE MASTER’S ARTISTIC WILL
Svetlana Volkova, art historian, leading researcher of Abramtsevo Museum-Reserve (Moscow)
KIRILL MAMONOV: THE WORLD OF FYODOR DOSTOEVSKY
Olga Chichvarina, art historian, assistant to the Head of the Artists’ Union of Russia, Art Director of “Svetlana” Publishing and Trading Co. (Moscow)
THE IDEOLOGY OF SPIRITUAL SEARCHES AS A DIALOGUE BETWEEN THE ARTIST AND WRITER. THE PARADIGM OF WORK BY P.M. BOKLEVSKY, D.A. SHMARINOV, I.S. GLAZUNOV IN ILLUSTRATIONS TO F. DOSTOEVSKY’S NOVEL “CRIME AND PPUNISHMENT”
Svetlana Kazakova, PhD in Art History, independent researcher, Member of the Association of Art Historians (Moscow)
THE EPIC SIGNIFICANCE OF F. DOSTOEVSKY’S NOVELS IN CARICATURES AND MEMES OF THE XXI-ST CENTURY
(the study has been implemented under the financial support of the Russian Foundation for Fundamental Studies within the Research Project N20-012-00102)
Online Session:
Olga Philippova, Head of the Archives of the Polytechnic Museum (Moscow)
FYODOR DOSTOEVSKY – SCIENTIST AND ARTIST
Mikhail Shishin, Doctor of Philosophy, art Historian, Professor of the Altai State Technical University, Academician of the Russian Academy of Arts (Barnaul)
FYODOR DOSTOEVSKY AND SIBERIA: ARTISTIC IMPLEMENTATION
Jin Li-Hua, PhD in Art History, Associate Professor, Zhejang University (Jinhua)
MONUMENTS TO DOSTOEVSKY IN CHINA AND INTERPRETATION OF THE CHARACTERS OF HIS NOVELS IN CHINESE ART
Valentina Khaurova, art historian, independent researcher (Moscow)
SCULPTURE IN THE VISUAL ART OF F. DOSTOEVSKY: JAN NEIMAN (1946-2017) AND HIS INTERPRETATION OF THE NOVELIST’S IMAGE
Alexandra Kushnareva, Master of Art History, independent researcher, Member of the Association of Art Historians (St. Petersburg)
ILLUSTRATIONS OF ALFRED KUBIN TO F. DOSTOEVSKY’S NOVEL “THE DOUBLE”
Yulia Arutyunyan, PhD in Art History, Professor of the Department of Theory and History of Arts, I. Repin St. Petersburg State Academy of Arts (St. Petersburg)
IMAGES OF F. DOSTOEVSKY’S NOVELS IN WORKS BY STUDENTS OF I. REPIN INSTITUTE IN THE 1970-S
