The Russian Academy Of Arts

The Russian Academy of Arts, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Research and Organizing Department For Coordination of Programs, Fundamental Researches and Innovation Projects of the Russian Academy of Arts, UNESCO International Chair for Fine Arts and Architecture under the Russian Academy of Arts invite you to attend the international research conference “Ways of Development of Today’s Orthodox Religious Art: Poland (Bialystok) and Russia. The Regional Identity in the Unity of Artistic Tasks”, that will take place in the White Hall of the Russian Academy of Arts (21 Prechistenka street, Moscow) on May 22-23, 2019 at 11.00am.

 

THE CONFERENCE PROGRAM

 

MAY 22, 2019

Venue: the White Hall of the Russian Academy of Arts

            21 Prechistenka street, Moscow

 

10.30-11.00 – Registration of participants

11.00-14.00 – Morning Session

Moderator: Krasimira Lukicheva

 

Welcoming speeches:

Zurab Tsereteli, President of the Russian Academy of Arts

Oleg Koshkin, Chief Scientific Secretary of the Presidium of the Russian Academy of Arts

Tatyana Kochemasova, Vice-President of the Russian Academy of Arts

Jerzy Malinovski, Head of the Polish Institute of World Art Studies, Nicolaus Copernicus University in Torun

Jerzy Ustinovich, Polish Institute of World Art Studies, University of Bialystok, Architects’ Union of Poland SARP)

Natalia Tolstaya, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

Anna Ryndina, Academician of the Russian Academy of Arts

 

Jerzy Malinovski, Head of Polish Institute of World Art Studies, Nicolaus Copernicus University in Torun

Studies of Eastern Europe Art in the Activity of the Polish Institute of World Art Studies   

 

Jerzy Ustinovich, the Polish Institute of World Art Studies, the University of Bialystok, Architects’ Union of Poland SARP

Between the Paradise and New Jerusalem. Traditions and Innovations in Modern Orthodox Architecture and Icon Painting in Poland

 

Anna Ryndina, Academician of the Russian Academy of Arts, Research Institute of Theory and History of Fine Arts

Traditions of the Orthodox Religious Art in the Polish Artistic Life in the Time of King Vladislav Jagiello (1386-1434) and His Son Casimir

 

Evgeny Maximov, Academician of the Russian Academy of Arts

The Experience in Creation of a Pictorial Image of the Orthodox Church

 

Andrey Anisimov, Chairman of the Board of the Guild of Church Constructors

The Development of Russian Church Architecture of the New Time. On the example of the Guild of Church Constructors

 

Nickolai Mukhin, Academician of the Russian Academy of Arts

Byzantium.ru (On the Continuity of Traditions).Mosaics of the Cathedral of St. Savva in Belgrade

 

Elena Romanova, PhD in Art History

The Modern Times Bible of Zurab Tsereteli

 

Inessa Slyunkova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

The New Church of Vernicle in Usovo and Appeal to the Tradition of the Early Christian Art

 

14.00-15.00 – Coffee Break

 

15.00-18.00 – Afternoon Session

Moderator: Anna Ryndina, Academician of the Russian Academy of Arts

 

Kirill Posternak, A. Schusev State Research Museum of Architecture

Main Trends in the Architecture of Modern Russian Iconostasis

 

 

 

 

Sophia Machigina, E. Trubetskoi Creative Union of Icon Painters (Krasnodar, Russia)

The Experience in Interpretation of Early Christian Traditions in the Decoration of Churches on the Example of Wall Painting of St. Elijah the Prophet Church in Anapa

 

Svetlana Vasyutina, St. Tikhon’s Orthodox University

Trends of Development of Modern Religious Art in the Context of Orthodox Church

 

Natalia Sheredega, the State Tretyakov Gallery

The “Saints of Undivided Church” Project as an Example of a Method of New Iconographic Programs. Searches and Finds

 

Igor Samolygo, St. Tikhon’s Orthodox University

Space and Image. The Cathedral of St. Nicholas of the Pokrovsky Convent in Khodkovo

 

Leila Al-Numan, Chief Artist of the “Alexandria” Studio of Stained Glasses and Mosaics

The Stained Glasses in the Orthodox Church

 

Irina Starzhenetskaya, Anatoly Komelin, the Russian Academy of Arts

The Implementation of the Christian Tradition in the Space of Modern Christian Aesthetics

 

Alexander Chashkin, iconpainter

The Meaning of the Icon’s Content (Hesychasm and Humanism)

 

MAY 23, 2019

Venue: the White Hall of the Russian Academy of Arts

            21 Prechistenka street, Moscow

 

11.00-14.00 – Morning Session

Moderator: Andrey Gamlitsky, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

 

Anna Ryndina, Academician of the Russian Academy of Arts

The Holy Bible Images in Enamel Masterpieces of Zurab Tsereteli

 

Larisa Uzlova, Icon Painting School under the Moscow Theological Academy

The Work at the Iconography of New Saints in the Icon Painting School under the Moscow Theological Academy

 

 

Vladimir Koshaev, M. Lomonosov Moscow State University

Cult-Canon-Canonic Rule-Artistic and Image System in Orthodox Art

 

Vera Ivanovskaya, Moscow Institute of Architecture

The Church Liturgical Space: Theology of the Image, Traditions and Synthesis of Arts

 

Margarita Plieva, Grigory Kotaev Culture Foundation

Wall Painting of Modern Orthodox Churches: Traditions, Style. On the Example of the Churches of North and South Ossetia

 

Yulia Kosyakina, South Urals State University

The Images of Russian New Martyrs and Confessors in the Work of Urals Icon Painters

Sergey Antonov (sculptor), Irina Zaron (artist)

Our Experiments: the Creative Work of Sergey Antonov and Irina Zaron

 

Galina Bulgaeva, Barnaul Metropolis, the Altai State University, Alexandra Belozerova, Barnaul Metropolis, icon painter

The Role of a Silhouette in Russian Icon Painting

 

Natalia Lichtenfeld, art historian

The Images of New Martyrs and Confessors in the Liturgical Space of a Church

Four Icons of Anatoly Eiteneir

 

14.00-15.00 - Coffee Break

 

15.00-18.00 – Afternoon Session

Moderator: Tatyana Samoilova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

 

Philipp Davydov, icon painter, St. Petersburg

The New in Tradition Art: Theory and Practice

 

Sophia Machigina, E. Trubetskoi Creative Union of Icon Painters (Krasnodar, Russia)

The Formation of Images of New Saints. The Iconography and Stylistics on the Example of Images of Holy Godly Peter Kalnyshevsky and others

 

Andrey Gamlitsky, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

The “Tsar Tradition” in Modern Russian Religious Art

 

 

Tatyana Samoilova, the State Tretyakov Gallery

On One Trend in Contemporary Icon Painting

 

Polina Tychinskaya, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

The Image of Archangel Michael in Modern Icon Painting

 

Valery Igoshev, the State Research Institute of Restoration

The Revival of Traditional Techniques of Art Metal

 

Konstantin Maslov, restorer

On the Imitations of the Old Russian Fresco-Tempera Technique by Acryl Paints. Experience of a Restorer

 

Alexander Soloviev, “The Heritage Keepers” Society, Krasnodar, Russia

Canons as a Basis for the Orthodox Religious Art and the Unity of Orthodoxy

The Conference is accompanied by the exhibition of works of contemporary religious art in the White Hall of the Russian Academy of Arts.

 

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