The Russian Academy Of ArtsThe Russian Academy Of Arts| 31.10.2018 - 02.11.2018 |
The Russian Academy of Arts (RAA), the Department of Art History and Art Criticism and Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, the Research and Organizing Department of the Russian Academy of Arts and Moscow International Foundation for Support to UNESCO invite you to attend the International Research Conference “Features of the Development of Techniques and Technologies in Art. History and Nowadays”, that will take place in the White Hall of the Russian Academy of Arts on October 31- November 2, 2018.
The Conference Organizing Committee
Chairman:
Zurab Tsereteli, President of the Russian Academy of Arts
Deputy Chairmen:
-Victor Kalinin, the First Vice-President of the Russian Academy of Arts;
-Tatyana Kochemasova, Vice-President of the Russian Academy of Arts
-Natalia Tolstaya, Director of the Research Institute of Theory and History of Fine Arts of the Russia Academy of Arts
-Dmitry Shvidkovsky, Vice-President of the Russian Academy of Arts
Members of the Organizing Committee:
-Tatyana Astrakhantseva, Head of the Education Department of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
-Andrey Zolotov, Vice-President of the Russian Academy of Arts
-Krasimira Lukicheva, Deputy Director for Research of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
-Elena Romanova, Adviser to the Department of Art History and Art Criticism of the Russian Academy of Arts, PhD in Art History
PROGRAM OF THE CONFERENCE
October 31, 2018 (Wednesday)
Venue: the White Hall of the Russian Academy of Arts
21 Prechistenka street, Moscow
10.00am – 10.30am – Registration of the participants
10.30am – Opening of the Conference
Greeting addresses:
-Victor Kalinin, the First Vice-President of the Russian Academy of Arts
-Andrey Zolotov, Vice-President of the Russian Academy of Arts
-Natalia Tolstaya, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (RAA)
11.00am – Morning Session
Moderator: Natalia Tolstaya, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts of the RAA
Krasimira Lukicheva, PhD in Art History, Deputy Director of the Research Institute of Theory and History of Fine Arts of the RAA
Technical and Technological Aspects as the Style-Forming Factor in the European Painting of the New Time
Maria Burganova, Doctor of Art History, Academician of the Russian Academy of Arts, Prof. of the Chair for Monumental and Decorative Sculpture of S. Stroganov Moscow State Academy of Arts and Industry
New Technologies within the Education Process in the Chair for Monumental and Decorative Sculpture of S. Stroganov Moscow State Academy of Arts and Industry
Elena Yakovleva, Doctor of Art History, Professor of the Chair for Drawing of
of the Department of Fine Arts of A. Hertsen Russian State Pedagogical University, St. Petersburg
Vasily Shukhaev about the Techniques and Technology of Painting
Dorota Ignatovich-Vozhnyakovska, Lukash Kovnatsky, Mateusz Kierepka, Poland (Chief Restorer of the National Museum in Warsaw Dorota Ignatovich –Vozhnyakovska and Doctor of Medicine Lukash Kovnatsky, European Health Center Otvotsk, Mateusz Kierepka – Chief Executive Officer ArtApp)
Modern Methods of Analytical Depicting in Examinations
– “Korpus dziel malarskich Henryka Siemiradzkiego”
Liudmila Kazakova, Academician of the Russian Academy of Arts, Doctor of Art History, Chief Researcher of the Decorative and Applied Arts Department of the Research Institute of Theory and History of Fine Arts of the RAA
Transcriptions of Traditional Technical Methods in Today’s Creative Work
Gianni Potsani, Vice-President of the Verona Academy of Arts, Verona, Italy
Glass Cameos from the Imperial Period of Ancient Rome
Tatyana Astrakhantseva, Doctor of Art History, Head of the Academic Education Department of the Research Institute of Theory and History of Fine Arts of the RAA
The Technology of Fake Gzhel Porcelain Production
Elmira Akhmetova, PhD in Art History, Director of R.Akhmetov Art Gallery (ART SPACEkz), Sculptor, PhD in Art History, Member of the Artists’ Union of the Republic of Kazakhstan, Member of the International Association of Art Critics of UNESCO, Kazakhstan
Steampunk in Kazakhstan
Dorota Ignatovich-Vozhnyakovska, Chief Restorer of the National Museum in Warsaw, Poland
“The Battle of Grunwald” by Jan Matejko and Restoration Work in 1921-2012.
The Exhibition of the Canvas in Vilno in 1999
Leila Khasyanova, Corresponding Member of the Russian Academy of Arts, PhD in History, Professor, Honored Artist of Russia
The Salvation of the Canvas “The Battle of Grunwald” During WW1 and WW2
14.00-15.00 – Lunch
15.00 – Afternoon Session
Moderator: Maria Vyazhevich, Academician of the Russian Academy of Arts
Christof Berri, Director of the Foundry of Coubertin Foundation
Development Peculiarities of Casting Skills Technologies in France
Andrey Tyrtyshnikov, Academician of the Russian Academy of Arts
Experience of Cooperation with French Foundries
Stanislav Tkachenko, President of St. Petersburg and Leningrad Region Association of Casters, Honored Steelmaker of Russia, Doctor of Engineering, Professor, Deputy Director for Research of the Affiliate of the Russian Academy of Arts “Liteiny Dvor” Creative Workshop
Art Casting on the Basis of Artworks Produced in the Digital Form
Nickolai Shumakov, Academician of the Russian Academy of Arts. The Head of the Architects’ Union of Russia
Modern Technologies for Moscow Subway
Alexey Salimov, Doctor of Art History
Technical and Technological Features in the Early 15th Century Tver Architecture
Yulia Klimenko, Professor, PhD in Architecture, Moscow Institute of Architecture
On New Vaulted Structures in the Moscow Architecture of the Age of Empire
Ekaterina Bubnova, artist-monumentalist, Section of Artists of Monumental and Decorative Art of the Moscow Union of Artists
Digital Technologies in Monumental Art
Valery Igoshev, Doctor of Art History, Restorer of the Highest Qualification
Traditional Techniques of Art Metal
Marina Piven, PhD in Art History, Senior Researcher of the Department for Monumental Art and Art Problems of Architecture of the Research Institute of Theory and History of Fine Arts of the RAA
The Décor of the 15th Century Italian Wedding Chests: Historical Technologies and Later Reconstructions
Maria Maistrovskaya, Doctor of Art History, Prof. of the Chair for History and Theory of Decorative Art and Design, Leading Researcher of the Design Department of the Research Institute of Theory and History of Fine Arts of the RAA
Material and Technology as a Factor of Form Creation in Today’s Furniture Design (International and Russian Experience)
Sophia Naumenko, S. Stroganov Moscow State Academy of Arts and Industries
Classical and New Techniques and Technologies for Furniture Decoration
November 1, 2018 (Thursday)
Venue: the White Hall of the Russian Academy of Arts
21 Prechistenka street, Moscow
10.30 – Morning Session
Moderator: Tatyana Astrakhantseva, Doctor of Art History
Oleg Khromov, Academician of the Russian Academy of Arts, Doctor of Art History, Professor of the Restoration Chair of the Russian State University for the Humanities
Technological Features of the “Exterior” of the 16-17th Russian Books of Cyrillic Printing
Anna Ryndina, Doctor of Art History, Honored Art Worker of Russia, Professor,
Head of the Old Russian and Religious Art Department of the Research Institute of Theory and History of Fine Arts of the RAA
Events and Images of the Past “in the Circle of Times”. From the 11th Century Relief Image “Volto Santo” in Lucca (Church of San Martino) and Belt of Gold of the Viking Simon (son of African) to the Wooden Carved Figures of the Savior of the late 17-18th Century in the Kama Region
Natalia Bartels, Senior Researcher of the Department for the Dictionary of Russian Artists of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
Technical and Technological Features of the 19th Century Russian Religious Paintings: On the Issue of Preservation Condition
Vera Kazarina, PhD in Art History, Director of the Research Archives of the Russian Academy of Arts, Member of the Artists’ Union of Russia
Reconstruction of Medieval Techniques in Modern Works of Church Sewing
Anastasia Agafonova, Prof. of S. Stroganov Moscow State Academy for Arts and Industry, PhD in Art History and
Evgeny Matko, Associate Professor of S. Stroganov Moscow State Academy for Arts and Industry
New Technologies in the Art of Hot Enamel
Evgeny Baranov, Chief Artist of the SIRIN Jewelry Co.
Recreation, Development and Prospects of Enamel Technologies. From Faberge to Today’s Enamel Makers
Vera Puck, PhD in Art History, Rostov
On the problem of Preservation of the 20th Century Works of Rostov Enamel. Risks of the Present and the Future
Tatyana Malakhova, Senior Researcher of the Department of Old Russian and Religious Art of the Research Institute of Theory and History of Fine Arts of the RAA
The Lacy Ciborium of the Byzantine Relief Icons Made of Ivory in the 10-11th Century. The Compositional and Semantic Role, Types and Production Technology
Victor Erokhin, Corresponding Member of the Russian Academy of Arts, Honored Artist of Russia
The Treatment of Coin Edges – From the Past to the Present
Olga Kostina, Leading Researcher of the Department for Monumental Art and Art Problems of Architecture of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
The Metro Era: In Search of Decorative Expressiveness of Stations. Materials and Technologies for the First Moscow Metro Stations
14.00-15.00 – Lunch
15.00 – Afternoon Session
Moderator: Krasimira Lukicheva, Deputy Director of the Research Institute of Theory and History of Fine Arts of the RAA
V. P. Efimenko, I.V. Konova, O.Y. Rusakova, Research Laboratory of the Moscow Museum of Modern Art
Experience in the Inter-Museum Cooperation
Tatyana Lukyanova, Head of the Department of Painting Restoration, Head of the Chair of I. Glazunov Russian Academy of Painting, Sculpture and Architecture
The History of the Technology Development of Old Russian Fresco Painting
Vladimir Buryi, Professor of the Chair for Restoration of Monumental and Decorative Painting of S. Stroganov Moscow State Academy for Arts and Industry, Artist-Restorer of the Highest Qualification, PhD in Art History and
Natalia Borisova, Head of the Chair for Restoration of Monumental and Decorative Painting of S. Stroganov Moscow State Academy for Arts and Industry, Artist-Restorer of the Highest Qualification
New Technologies for Restoration of the 19th-20th Century Oil Wall Paintings in the Ascension Cathedral of Orshin Monastery
Yury Kozak, Artist-Restorer, the State Research Institute for Restoration
The Advantages of New Materials and Technologies for Restoration in the Interior Painting on the Example of the Restoration of the Plafonds for the Ball Hall of the Orlov and Denisov Estate
Anna Khlavna, Artist-Restorer of the Research Department for Restoration of Oil Painting of the State Research Institute for Restoration
The Creation Technology for the Portrait by George Dawe “The Portrait of the Widow Empress Elizabeth Alekseevna” from the Collection of the State History Museum. The View from the Restoration Studio
Maria Nikolaeva, PhD in History, Leading Researcher of the Dictionary of Russian Artists Department of the Research Institute of Theory and History of Fine arts of the RAA and
Marina Gorycheva, Chief Architect of the Special Research and Production Workshop, Moscow
The Structural and Decorative Features of the Iconostasis of the Smolensk Cathedral of the Novodevichy Convent: Work of Masters of Wood in the 17th Century Sources and Full-Scale Surveys in the 21st Century
Daria Fomicheva, Corresponding Member of the Russian Academy of Arts, Pro-Rector of S. Andriyaka Academy of Watercolor and Fine Arts
“Not Hand Made” Drawing – “On the Graphic Techniques of the Renaissance”
Sergey Orlov, Leading Researcher of the 20th Century Russian Art Department of the Research Institute of Theory and History of Fine Arts of the RAA
Collage Technologies and Methods in Painting and Graphic Art
Ruslan Ozdoev, Artist-Jeweler, Member of the Artists’ Union of Russia
On the Workshop for Enamel Production
November 2, 2018 (Friday)
Venue: the White Hall of the Russian Academy of Arts
10.30-14.00 – Morning Session
Moderator: Natalia Tolstaya, Director of the Research Institute of Theory and History of Fine Arts of the RAA
Ilya Ostrovsky, “3-D Cooking” Publishing House, Moscow
Interpretation of Traditional Sculptural Techniques in the Work by Henry Moore
V.V. Semikin, I.V. Kononova, O.Y. Rusakova, E.V. Malkova, I.K. Reshetova, A.O. Kotova, the Research Laboratory of the Moscow Museum of Modern Art
The Experience in Using the Photo Matching Method for the Study of Paintings
Igor Smekalov, Doctor of Art History, Associate Professor of the Design Chair of the Architecture and Construction Department of the Orenburg State University
The Confrontation of Creative and Pedagogical Technologies in the Art of the Free School and the State Free Art Workshops of Orenburg (1919-1922). The Supremacist Ivan Kudryashov and Classicist Stepan Karpov
V.V. Semikin, I.V. Kononova, I.Y. Rusakova, E.V. Malkova, I.K. Reshetova, A.O. Kotova,the Research Laboratory of the Moscow Museum of Modern Art
The Technological Study of the Works by Kazimir Malevich from the Collection of the Moscow Museum of Modern Art on the Example of Two Portaits
Zinaida Starodubtseva, Chief Specialist of the Russian State Archives of Literature and Art, Moscow
On the Issue of the Technology of Today’s Art Education
Olga Pavlova, S. Stroganov Moscow State Academy for Arts and Industry
Periodical 20th – 21st Century Art Projects and New Technologies in Art
Sergey Golovach, Artist, Moscow
Computer Photography: Instruments and Trends
STAND PAPERS:
Sergey Dushka, S. Vavilov Institute of Natural History and Technology of the Russian Academy of Sciences, Moscow
Engineering and Design Solutions in Religious Art
Chzhao Pen, China
Hou Iming about the Technology of Ceramic Painting in China
Tatyana Kocheva, PhD in Engineering, Researcher, Ulan-Ude, Russia
Innovation Technologies for Creation of Ornaments in Folk Style
Valentina Voitekunas, the State Institute of Art History, Moscow
The Technique of Tempera Painting in Russian Art of the Late 19th – Early 20th Century
Maria Didrikh, S. Stroganov Moscow State Academy of Arts and Industries
The Technique of Encaustic in Miniature French Painting of the Late 18th – Early 19th Century
Elena Suvorova, Professor, PhD in Philosophy, S. Stroganov Moscow State Academy of Arts and Industry
The Role of Techniques and Technologies in the Development of the Interior Decoration Art
Elena Smolenchuk, Teacher of the Art Department of St. Petersburg State University
On the Russian Edition of the Book by Max Derner “Art Materials and Their Application in Painting”
Nikita Erofeev, custodian of the Funds of Rare Photographs of the State Tretyakov Gallery
Drawing, Engraving, Photograph. On the History of Reproduction of Italian Art in the 19th Century
Sergey Pogorely, Member of the Artists’ Union of Russia, Creative Union of Artists of Russia and International Federation of Artists, as well as the The Union of Designers International Association
Real Unreality or Photography as a Reality Mounting Method