The Russian Academy Of Arts

Decorative Art of the Second Half of the 19th – Early 20th Century. Artists, Architects and Russian Art Industry: International Research Conference at the Russian Academy of Arts


05.11.2014 -

The Russian Academy of Arts and the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts invite you to attend the international research conference “Decorative Art of the Second Half of the 19th – Early 20th Century. Artists, Architects and Russian Art Industry” that will take place in the White Hall of the Russian Academy of Arts (21 Prechistenka street, Moscow) on November 6-7, 2014 at 10.00 am.

CONFERENCE PROGRAM

November 6, 2014 – Thursday

Registration of participants – 10.00-10.30 am

Morning Session: Theory and Sources of Decorative Art– 10.40 am-11.30 am
To be presided by Andrey Tolstoi

President of the Russian Academy of Arts Zurab Tsereteli
Welcoming Address

Yury Saveliev, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Decorativeness in the 19th-Early 20th Century Art. From Small Plastic Works to Monumental Forms

Valery Igoshev, the State Research Institute of Restoration, Moscow
The Impact of Specimens of Old Russian Silver Jewelry on Works of the Mishukovs Jewelry Workshop of the Early 20th Century

Irina Buseva-Davydova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
On the sources of “Russian Style” in the Church Silver of the Second Half of the 19th Century

Break – 11.30-11.45 am




Morning Session: Decorative Art in Architecture – 11.45-14.45
To be presided by Yury Saveliev

Elena Blinova, Maria Grigorieva, A. Hertsen State Pedagogical University of Russia, St. Petersburg
Compositional Peculiarities of the Ceramic Decoration in St. Petersburg Architecture of the Second Half of the 19th – Early 20th Century

Svetlana Astakhovskaya, the State Museum-Preserve “Gatchina”, St. Petersburg
Furniture in the Interior of the Great Gatchina Palace of the Middle of the 19th Century (the Contribution of the Architect R.I. Kuzmin)

Wilfried Zeisler, Hillwood Museum and Estate, Washington, USA  
The Interiors of the 1860-s in the Yusupov Palace on the Moika River in the International Context

Sophia Veselova, M. Lomonosov Moscow State University, Moscow  
Works of Decorative and Applied Art in the Decoration of Russian Winter Gardens in the Second Half of the 19th – Early 20th Century

Elena Dokuchaeva, S. Stroganov Moscow State Academy of Arts and Industry, Moscow
A.M. Postnikov Factory and Its Involvement in the Decoration of Church Interiors in the Byzantine Style

Konstantin Likholat, Pallada Restoration Company, St. Petersburg
Decoration of the Cathedral of Epiphany on Gutuevsky Island. The Second Life of the Iconostasis by M.S. Kuznetsov Factory

Svetlana Yurkova, art historian, Moscow
The Faience Iconostasis of the Factory of the Kornilov Brothers

Maria Naschokina, Research Institute of Theory of Architecture and City Planning of the Russian Academy of Architecture and Construction Sciences
Architectural Ceramics of the Abramtsevo Potter’s Factory in Province

Tatyana Lekhovich, the State Hermitage, St. Petersburg
Espaliers by Braquenie Company for the Saltykov Staircase of the Winter Palace

Elena Pilnik, A. Pushkin State Museum of Fine Arts, Moscow
French Painters and the Problem of Artistic Improvement of Espalier Art at the Turn of the 19-20th  Century

Azar Shakhova, Workshop N20 of M. Posokhin Mosproject-2, Moscow
Architect I.A. Ivanov-Shits and “Martyanych” Restaurant

Break – 14.45-15.45

Afternoon Session: Factory Owners – 15.45-16.30
To be presided by Mikhail Busev

Svetlana Baranova, Moscow State United Museum-Preserve, Moscow
Tile Factories of the Vlasov Merchant Family in Moscow

Natalia Druzhkina, Russian State University for the Humanities, Moscow
The Role of  St. Petersburg Trade and Industrial Companies in the Development of Art Industry and Decorative Art in Russia in the Second Half of the 19th – Early 20th Century  

Ksenia Ghileva, Ekaterinburg Museum of Fine Arts, Ekaterinburg
The Impact of Artistic Tastes and Preferences of Owners of the Urals Iron Foundries on the Assortment of Products in the Late 19th – Early 20th Century

Svetlana Kazakova, Association of Art Historians, Moscow
The Character of Ivan Goncharov’s Novel “A Common Story”- an Owner of Glass and Porcelain Factories

  Break – 16.30-16.45

Afternoon Session: Art Education – 16.45-18.00
To be presided by Ekaterina Polyakova

Nickolai Shabanov, Mikhail Stepanov, Kursk State University, Kursk
Institutions of Arts and Industry in Russia in the 19th Century

Tatyana Zelyukina, the State Tretyakov Gallery, Moscow
A. Shtieglitz Central College for Technical Drawing. Review of the Training Process

November 7, 2014 – Friday

Morning Session: Masters and Art Industry – 10.30-13.30
To be presided by Yury Saveliev

Evgeny Lukyanov, State History Museum, Moscow
Mikhail Bykovski and Moscow Jewelry Companies in the Middle of the 19th Century


Ilya Pechenkin, Russian State University for the Humanities, Moscow
Artist-Architect Ivan S. Kuznetsov as a Master of Decorative Art

Ekaterina Polyakova, S. Stroganov Moscow State Academy of Arts and Industry, Moscow
The Sapozhnikov Factory and Leading Moscow Architects: From Project to Implementation

Mikhail Yudin, All-Russian Museum for Decorative, Applied and Folk Art, Moscow
The Collaboration of the Artist S.F. Komarov with Paul Ovchinnikov’s Company

Olga Pecheneva, State History Museum; Ekaterina Polyakova, S. Stroganov Moscow State Academy of Arts and Industry, Moscow
The Church Textile in the Collection of the State History Museum Created According to Projects by Sergey Vashkov

Ekaterina Khmelnitskaya, the State Hermitage, St. Petersburg
The Creative Personality in the Development of the Sculpture Department of the Imperial Porcelain Factory: A.K. Spiess and A.K. Thimus  

Tatyana Astrakhantseva, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The “Russian Style” in the Ceramic Sculpture of the 1900-1910s as a Development of Historicism
  
Veronica Kalinina, Ekaterinburg Museum of Fine Arts, Ekaterinburg
Porcelain Plastic Art in the Work by Artists of the “World of Art”

Ekaterina Savinova, Research Museum of the Russian Academy of Arts, St. Petersburg
The Menu of Splendid Dinners According to Sketches of Albert N. Benois

Break – 13.30-14.30

Afternoon Session: Art Industry – 14.30-16.30  
To be presided by Ekaterina Khmelnitskaya

Alexandra Troschinskaya, S. Stroganov Moscow State Academy of Arts and Industry, Moscow
The Work of the Potter’s Workshop of the Museum of Arts and Industry of S. Stroganov College in the Context of Historicism in Russia

Marina Zinoveeva, Sergey Fedunov, S. Stroganov Moscow State Academy of Arts and Industry, Moscow
Art Metal Workshops of S. Stroganov College and Jewelry Industry in Russia

Alexey Pomigalov, Museum of Faberge, St. Petersburg
Silver Things with monogram “OH” of the Company “Magazin Anglais Nickols&Plinke”. On the Issue of Attribution

Andrey Rodenkov, Pallada Restoration Company, St. Petersburg
On the History of the Establishment of Kikerinskiye Ceramic Workshops by P.K. Vaulin

Svetlana Solovieva, the State Tretyakov Gallery, Moscow
Frame and Style. Frame Workshops and Frame Masters in Partnership with Russian Artists of the Second Half of the 19th – Early 20th Century

Alexander Pakhunov, Russian State University for the Humanities, Moscow
Pigments in the Work of Folk Masters and Methods of Their Definition

Break – 16.30-16.45

Afternoon Session: International Exhibitions – 16.45-18.00
To be presided by Yury Saveliev

Lyudmila Budrina, Ekaterinburg Museum of Fine Arts, Ekaterinburg
Half a Century of Great Exhibitions: Ekaterinburg Lapidary Exhibition in International Shows (1851-1904)

Yury Nikitin, St. Petersburg University of Railway Transport, St. Petersburg
Works of Russian Artisans at All-Russian and International Exhibitions

Author Kharitonov, M. Lomonosov Moscow State University
Russian Pavilions at the Paris Exhibition of 1900. The Problem of Architecture and Exposition

 


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